Say what you will about Andy Warhol's movies -- they may have been boring, but at least they weren't as dull as as Factory Girl.
Factory Girl (2007)
Tomatometer
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Reviews Counted:110
Fresh:20
Rotten:90
Average Rating:4.7/10
Consensus: Despite a dedicated performance by Sienna Miller, Factory Girl delves only superficially into her character, and ultimately fails to tell a coherent story.
Theatrical Release:Dec 29, 2006 Limited
Box Office: $1,566,027
Synopsis: Best known for playing muse to Andy Warhol, Edie Sedgwick was a dazzling young socialite who found herself at the apex of the pop art scene in 1960s New York. In FACTORY GIRL, Sienna Miller is the... Best known for playing muse to Andy Warhol, Edie Sedgwick was a dazzling young socialite who found herself at the apex of the pop art scene in 1960s New York. In FACTORY GIRL, Sienna Miller is the enchanting, enigmatic Edie, offering a moving characterization of the extremely troubled model/actress. The film kicks off as Edie, the daughter of a well-to-do horse rancher, leaves art school and moves to Manhattan in the mid-'60s. Her friend Chuck Wein (Jimmy Fallon) introduces her to Andy Warhol (Guy Pearce), and Andy is immediately taken with the waifish, wealthy Edie. He welcomes her into his Factory, the silver aluminum-foil covered loft where an assortment of artists and oddballs assisted him with his projects. Edie quickly falls into the hard partying, drug-addled scene, starring in Andy's experimental films and becoming his constant companion. She becomes well-known for her unique style, and the fashion industry taps her as its very first "It" girl. Edie is flying high on Andy, speed, and stardom, when she happens to meet the Bob Dylan-esque "Folksinger" (Hayden Christensen). She falls in love with him, and in doing so, falls out of Andy's favor. Her drug addiction spirals out of control, her parents cut off her cash flow, and her very bright star seems to burn out almost as quickly as it rose. As with most biopics, people are sure to quibble over the accuracy of FACTORY GIRL, and whether it offers fair portrayals of so many larger-than-life cultural icons. However, viewers are sure to agree that it makes a poignant statement about the pitfalls of fame. When Warhol tells Edie's mother that her daughter is going to be "super famous", Mrs. Sedgwick coldly responds: "And what exactly would be the value of that?" Judging from the very tragic, short life of Edie, there wasn't much value in it at all. [More]
Starring: Sienna Miller, Guy Pearce, Hayden Christensen, Jimmy Fallon
Starring: Sienna Miller, Guy Pearce, Hayden Christensen, Jimmy Fallon, Peter Bogdanovich, Beth Grant, Illeana Douglas, Mary-Kate Olsen, Mena Suvari, Tommy Perna, Samantha Maloney, Captain Mauzner, Daniel Newman, Don Novello, Tara Summers, Alexi Wasser, Colleen Camp
Director: George Hickenlooper
Director: George Hickenlooper
Screenwriter: Captain Mauzner
Producer: Aaron Richard Golub, Bob Weinstein, Harvey Weinstein
Screenwriter: Captain Mauzner
Story: Simon Monjack
Screenwriter: Aaron Richard Golub
Studio: Weinstein Company
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Reviews for Factory Girl
You feel as if either you or the filmmakers have missed the point, if there ever actually was one.
Thanks to the flashy work of the film's two editors and cinematographer, style trumps substance. Or perhaps it merely masks the lack of it.
Miller does good work when the script gives her anything to work with.
Not everyone is crushed by fame, but almost everyone is flattened by it.
Miller's commitment to the role makes a mockery of the movie's conservative and predictable riches-to-rags story arc and the conventionality of its 'edgy' visual strategy.
Sienna Miller, revealing a depth and presence she's never hinted at before, inhabits Sedgwick with raw exuberance.
Two extraordinary performances can't prevent Factory Girl from being an ordinary movie.
The vibrant 1960s New York art scene has never seemed as boring and programmatic as in George Hickenlooper’s Factory Girl, a pointless excuse for the director to recreate hep locations and counterculture icons.
Fleeting and superficial, it's the familiar, cliche-riddled show biz rise and fall with banal notes about substance abuse and the price of fame.
The film never provides compelling reasons to care about the fate of this poor little rich girl.
Director George Hickenlooper incessantly switches between black-and-white, grained-out, color-saturated, handheld and fuzzy shots. He's not so much making a movie as an audition tape for the cameraman's guild.
An old-fashioned poor little rich girl story gussied up with 1960s glitter...as vacuous as the milieu in which it's set.
Whatever shrewdness or charm Sedgwick possessed that caused people to believe that she was a revolutionary figure in New York night life, it doesn’t come through in this movie.
...Guy Pearce is fabulous as Warhol, delivering a complex portrait of the pop artist as a bundle of contradictions.
Though George Hickenlooper's "Factory Girl" feels as vacuous as the picture's main character, "superstar" Edie Sedgwick, it manages to convincingly convey the toxic persona that was Andy Warhol.
Factory Girl’s greatest crime is transforming a scene and a personality that were all about movement and flamboyant brilliance into nothing but inert ventriloquism.
The best Factory Girl can muster is Oliver Stone on a budget, complete with shrill overacting, sloppy pacing, constantly changing film stock, distracting celebrity cameos, messy psychodrama, and bleary stylistic overload.
Even after watching her rise and fall for 90 minutes, we still don't know her at all.
Tragedy requires us to genuinely care about the character and Factory Girl fails in that regard, despite Miller's emphatic performance.
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