Admirably low-key, yet [director Daniel] Burman's relaxed approach becomes a liability -- everything goes down smoothly but leaves one hungry for something more substantial.
Family Law (2006)
Tomatometer
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Reviews Counted:40
Fresh:30
Rotten:10
Average Rating:6.8/10
Consensus: What Family Law lacks in overt drama and conflict, it more than makes us with warm performances and smart, sharp dialogue.
Theatrical Release:Dec 6, 2006 Limited
Synopsis: Ariel Perelman is an attorney, like his father. And, because it is customary in Argentina to do so, the people refer to them both as Dr Perelman--regardless of whether they mean the father or the... Ariel Perelman is an attorney, like his father. And, because it is customary in Argentina to do so, the people refer to them both as Dr Perelman--regardless of whether they mean the father or the son. Yet it is not so much sharing the same name that bothers Perelman Junior as not knowing if he is beginning to look just like his father--or at least, the exact opposite. -- © IFC First Take [More]
Starring: Adriana Aizemberg, Damian Dreizik, Daniel Hendler, Jean Pierre Reguerraz
Starring: Adriana Aizemberg, Damian Dreizik, Daniel Hendler, Jean Pierre Reguerraz
Director: Daniel Burman
Director: Daniel Burman
Screenwriter: Daniel Burman
Studio: IFC First Take
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Reviews for Family Law
Family Law, from Argentina, is a very articulate comedy about fatherhood and marriage.
Like Woody Allen, [director Daniel] Burman is a Jewish worrier who covers all present and future bases. He’s the most indispensable worrier we have.
A deceptively small film, one whose observations may continue to detonate quietly in your mind after the lights have come up.
Like Lost Embrace, Family Law is funny and moving--a more mature, deceptively simple exploration of how to live.
[Director] Burman's decision to fill nearly every second of the film with Hendler's voice -- either in dialogue or in narration -- constrains Family Law to the point of view of an indecisive navel-gazer.
Writer-director Daniel Burman's (Lost Embrace) drily humorous, poker-faced comedic style is once again used in full play in this funny and touching film.
Director-writer Daniel Burman follows the two lawyers through their daily chores. Little of consequence happens, and the lack of drama will keep viewers from caring about the characters.
[Director Daniel] Burman tends to focus very tightly on the details of individual identity - religion, nationality, gender. It is all the more striking, then, that his restrained and unassuming films are wise enough to speak to every adult.
An alternately charming and frustrating comic entertainment from Argentine writer-director Daniel Burman.
There's a bright cheer to Daniel Burman's film that skirts but narrowly avoids sentimentality.
Family Law is well acted, but if Antoine Doinel had been nearly this serene, Truffaut's career would have petered out after three films.
An engaging and humorous look at the father and son in all men. Very much worth the watching.
Low-key without being ho-hum, sexy in a brainy-but-humble way, Hendler is a how-to study in the charismatic power of unembellished screen acting.
A relaxed and enjoyable film from Argentina about a young man who is in no hurry to move out from under the shadow shed by his father, a popular and successful lawyer.
An introspective, if unfocused, look at the thoughts and moods of a Buenos Aires lawyer.
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