The scenes in the Peking Opera School, where boys are caned for doing wrong or right, are no less horrifying than the later tableaus of public humiliation at the hands of the Maoists.
Farewell My Concubine (1993)
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Reviews Counted:9
Fresh:7
Rotten:2
Average Rating:7.2/10
Consensus: Chen Kaing's epic is grand in scope and presentation, and, bolstered by solid performances, the result is a film both horrifying and enthralling.
Runtime: 2 hrs 37 mins
Genre: Foreign Films
Synopsis: In Chen Kaige's adaptation of the Lilian Lee novel, Cheng Dieyi (Leslie Cheung) and Duan Xiaolou (Fengyi Zhang) grow up enduring the harsh training of the Peking Opera Academy, where instructors... In Chen Kaige's adaptation of the Lilian Lee novel, Cheng Dieyi (Leslie Cheung) and Duan Xiaolou (Fengyi Zhang) grow up enduring the harsh training of the Peking Opera Academy, where instructors regularly beat the children as a means of instilling in them the discipline needed to master the complex physical and vocal technique. As the two boys mature, they develop complementary talents: Dieyi, with his fine, delicate features, assumes the female roles while the burlier Xiaolou plays masculine warlords. Their dramatic identities become real for Dieyi when he falls in love with Xiaolou; the resolutely heterosexual Xiaolou, however, marries a courtesan, Juxian (Gong Li), creating a dangerous, jealousy-filled romantic triangle. Spanning 50 years from the early part of the 20th century to the tumultuous Cultural Revolution, Kaige's passionate, exquisitely shot film captures the vast historical scope of a changing world (and the mesmerizing pageantry of the opera) while also providing the intimate and touching details of a unique, tender, heartrending love story. [More]
Starring: Gong Li, Leslie Cheung
Starring: Gong Li, Leslie Cheung
Director: Chen Kaige
Director: Chen Kaige
Screenwriter: Lilian Lee
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Reviews for Farewell My Concubine
Chen's remarkable movie uses an unusual love triangle to telescope more than 50 years of tumultuous Chinese history.
One of those very rare film spectacles that deliver just about everything the ads are likely to promise.
Like Cheung's ethereally plaintive voice, the movie is a siren song that's appealing at first, but held too long. It becomes an increasing whine.
The director carries us through this early history with impressive sensitivity; he has a beautiful, graceful touch, both with the camera and with his actors.
A motion picture experience that few will soon forget after leaving the theater.
The film flows with such urgency that all its connections seem logical. And it is filmed with such visual splendor that possible objections are swept aside.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 58% 58% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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