She's a sharp cookie.
Fargo (1996)
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Reviews Counted:64
Fresh:60
Rotten:4
Average Rating:8.3/10
Consensus: Violent, quirky, and darkly funny, Fargo delivers an original crime story and a wonderful performance by McDormand.
Runtime: 1 hr 51 mins
Genre: Dramas
Synopsis: Poor Jerry Lundegaard. He's deep in debt. His wealthy father-in-law has no respect for him. He cheats customers at the car dealership where he works. And now he's hired a bumbling duo to kidnap his... Poor Jerry Lundegaard. He's deep in debt. His wealthy father-in-law has no respect for him. He cheats customers at the car dealership where he works. And now he's hired a bumbling duo to kidnap his wife--a plan that goes horribly awry, leading to homicide. Enter Marge Gunderson, one of the most fabulous movie cops in film history. The very-pregnant Marge--played marvelously by Frances McDormand in an Oscar-winning and career-defining performance--just goes about her everyday business, eating (in nearly every scene), talking to the people in the community, and examining bloody corpses as if no day is different from the next. A multiple murder in the small town of Brainerd, Minnesota--home of Paul Bunyan, as the sign claims--seems to have little effect on her. Yet she has an innate cop sense--she is very, very good at her job and determined to solve the case in her offhanded manner. FARGO is yet another offbeat, highly entertaining film from the Coen brothers (BARTON FINK, BLOOD SIMPLE). The film is nearly colorless; instead, director of photography Roger Deakins washes the screen in the blinding white of the snow, occasionally breaking for the drab grays and browns of police uniforms and winter jackets. Carter Burwell's score further enhances the slow, steady pace of this oddly funny and compelling film. The Coens have once again populated their film with a slew of bizarre characters, with outstanding performances delivered by all, particularly the edgy William H. Macy, the quietly luminous McDormand, the nearly psychotic Steve Buscemi, and the oh-so-cold Peter Stormare. [More]
Starring: Frances McDormand, William H. Macy, Steve Buscemi, Peter Stormare
Starring: Frances McDormand, William H. Macy, Steve Buscemi, Peter Stormare, John Carroll Lynch, Kristin Rudrud, Harve Presnell, Steve Park, Jose Feliciano
Director: Joel Coen
Director: Joel Coen
Producer: Ethan Coen
Screenwriter: Joel Coen, Ethan Coen
Story: Ethan Coen
Composer: Carter Burwell
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Reviews for Fargo
Thank you, brothers Coen. You have renewed my faith in the serious talent who cannot be lured into the pecuniary heavens of Hollywood.
Funny without really trying to be, and it proves conclusively that fact is stranger than fiction.
It's easy to admire what the Coens are trying to do in Fargo, but more difficult to actually like the film.
With the subtle, homespun and ironic performances of Macy and Frances McDormand ... the film becomes a darkly laughable tale of small town normality going awry.
(The Coen's) assured steps from darkness into light is a cinematic balancing act
The Coen Brothers have always loved to go far, a tactic they don't forgo in Fargo. [Blu-ray]
This is a near brilliant/near masterpiece (if not an outright masterpiece).
All attitude and low aptitude. Its function is to italicize the Coens' giddy contempt toward people who talk and think Minnesotan.
[Marge is] a good cop because everything abnormal stands out like a stain against her white-on-white sanity.... [H]er incomprehension [of criminality] is not only her strength as a detective, it justifies the deadpan style of the movie.
Fargo (1996) is a self-proclaimed "homespun murder story" set in the white-washed, winter wilderness of the frozen and bleak Upper Midwest.
To watch it is to experience steadily mounting delight, as you realize the filmmakers have taken enormous risks, gotten away with them and made a movie that is completely original, and as familiar as an old shoe.
The brothers have returned to their roots, both visually and literally. Their new film is reminiscent of their debut movie, Blood Simple, and its wry look at murder.
If Fargo could make up its mind what kind of movie it wanted to be, it might find meaning in its tangle of surface caricatures and impeccable technical stylistics.
This is the film's genius, its emulation of true crime's obsession with prosaic or spectacular minutiae, coupled with a refusal to make such details cohere into master plans and meanings.
Latest News for Fargo
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In this week's roster of UK cinema releases we have the latest addition to the Coen canon in the CIA comedy caper, Burn After Reading, Shia LeBeouf stakes a further claim to the... More...
November 07, 2007:
Total Recall: Welcome to Coen Brothers Country
Before expanding wide on November 21, No Country for Old Men (90 percent) will play in select cities this Friday riding a wave of huge expectations. The Cormac McCarthy-based... More...
December 28, 2006:
25 New Films Enter National Film Registry ... Good Ones, Too!
Every year another 25 films are chosen for "National Film Registry" designation, and it's a pretty big honor to be on that list. I suppose one could look at it like... More...
February 02, 2006:
Coens Aim to Tackle New "Country"
According to The Hollywood Reporter, Joel & Ethan Coen's next film will be an adaptation of Cormac McCarthy's "No Country for Old Men." Word is that Tommy Lee... More...
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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