Finally, [the Coens] have given us characters we can care for, a story that keeps us wondering, hoping and guessing, as well as the distinctive visual style that marks all Coen productions.
Fargo (1996)
Tomatometer
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Reviews Counted:64
Fresh:60
Rotten:4
Average Rating:8.3/10
Consensus: Violent, quirky, and darkly funny, Fargo delivers an original crime story and a wonderful performance by McDormand.
Runtime: 1 hr 51 mins
Genre: Dramas
Synopsis: Poor Jerry Lundegaard. He's deep in debt. His wealthy father-in-law has no respect for him. He cheats customers at the car dealership where he works. And now he's hired a bumbling duo to kidnap his... Poor Jerry Lundegaard. He's deep in debt. His wealthy father-in-law has no respect for him. He cheats customers at the car dealership where he works. And now he's hired a bumbling duo to kidnap his wife--a plan that goes horribly awry, leading to homicide. Enter Marge Gunderson, one of the most fabulous movie cops in film history. The very-pregnant Marge--played marvelously by Frances McDormand in an Oscar-winning and career-defining performance--just goes about her everyday business, eating (in nearly every scene), talking to the people in the community, and examining bloody corpses as if no day is different from the next. A multiple murder in the small town of Brainerd, Minnesota--home of Paul Bunyan, as the sign claims--seems to have little effect on her. Yet she has an innate cop sense--she is very, very good at her job and determined to solve the case in her offhanded manner. FARGO is yet another offbeat, highly entertaining film from the Coen brothers (BARTON FINK, BLOOD SIMPLE). The film is nearly colorless; instead, director of photography Roger Deakins washes the screen in the blinding white of the snow, occasionally breaking for the drab grays and browns of police uniforms and winter jackets. Carter Burwell's score further enhances the slow, steady pace of this oddly funny and compelling film. The Coens have once again populated their film with a slew of bizarre characters, with outstanding performances delivered by all, particularly the edgy William H. Macy, the quietly luminous McDormand, the nearly psychotic Steve Buscemi, and the oh-so-cold Peter Stormare. [More]
Starring: Frances McDormand, William H. Macy, Steve Buscemi, Peter Stormare
Starring: Frances McDormand, William H. Macy, Steve Buscemi, Peter Stormare, John Carroll Lynch, Kristin Rudrud, Harve Presnell, Steve Park, Jose Feliciano
Director: Joel Coen
Director: Joel Coen
Producer: Ethan Coen
Screenwriter: Joel Coen, Ethan Coen
Story: Ethan Coen
Composer: Carter Burwell
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Reviews for Fargo
The beauty of the film is in the subtle detail of the dialogue and performances which continue to enchant on repeat viewings.
[Marge is] a good cop because everything abnormal stands out like a stain against her white-on-white sanity.... [H]er incomprehension [of criminality] is not only her strength as a detective, it justifies the deadpan style of the movie.
The filmmaking duo of Joel and Ethan Coen turn in yet another of their mini-classics with this dark-humored drama of debt, ransom and murder.
If Fargo could make up its mind what kind of movie it wanted to be, it might find meaning in its tangle of surface caricatures and impeccable technical stylistics.
Whether these characters are lovable or detestable, they're lovable or detestable in a TV way -- defined by a minimal set of traits that are endlessly reiterated and incapable of expansion or alteration, a fixed loop.
To watch it is to experience steadily mounting delight, as you realize the filmmakers have taken enormous risks, gotten away with them and made a movie that is completely original, and as familiar as an old shoe.
Um dos grandes trunfos de Fargo reside em seus diálogos. O problema é que estes duelos verbais travados entre os personagens perdem muito durante a tradução para o português.
It combines a sheer energy of satire, comedy and thriller that it seems at first glance an impossible movie to make.
The brothers have returned to their roots, both visually and literally. Their new film is reminiscent of their debut movie, Blood Simple, and its wry look at murder.
Funny, frightening and pointed in its explorations of human behavior.
With Fargo, Joel and Ethan Coen return to the glory days of 1987 and Raising Arizona.
...one of the most hilariously twisted murder mysteries to come along since, well, since never.
Much less vain, flamboyant, and showy than their other pictures, Fargo bears the thematic influence of Samuel Beckett and the stylish coolness of Finland's Aki Kaurismaki, but the violence is all Coens.
Written and directed with the verve, painstaking nuance and outrageously black humour that have become the mainstay of a Coen movie.
The most complete film the Coens have ever made, it's nothing short of a movie for the ages.
Latest News for Fargo
October 17, 2008:
UK Critics Consensus: Is Burn After Reading A Coens Classic? Does Eagle Eye Have Enough Action, Man?
In this week's roster of UK cinema releases we have the latest addition to the Coen canon in the CIA comedy caper, Burn After Reading, Shia LeBeouf stakes a further claim to the... More...
November 07, 2007:
Total Recall: Welcome to Coen Brothers Country
Before expanding wide on November 21, No Country for Old Men (90 percent) will play in select cities this Friday riding a wave of huge expectations. The Cormac McCarthy-based... More...
December 28, 2006:
25 New Films Enter National Film Registry ... Good Ones, Too!
Every year another 25 films are chosen for "National Film Registry" designation, and it's a pretty big honor to be on that list. I suppose one could look at it like... More...
February 02, 2006:
Coens Aim to Tackle New "Country"
According to The Hollywood Reporter, Joel & Ethan Coen's next film will be an adaptation of Cormac McCarthy's "No Country for Old Men." Word is that Tommy Lee... More...
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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