The movie is hard and implacable, but worth seeing.
Fat Girl (2001)
Tomatometer
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Reviews Counted:82
Fresh:59
Rotten:23
Average Rating:6.3/10
Consensus: The controversial Fat Girl is an unflinchingly harsh but powerful look at female adolescence.
Theatrical Release:Oct 10, 2001 Limited
Synopsis: Take two very naive, very young French girls--one a thin 15-year-old, Elena (Roxane Mesquida), and the other her fat 12-year-old sister, Anaïs (Anaïs Reboux). Picture them as lambs. Add a... Take two very naive, very young French girls--one a thin 15-year-old, Elena (Roxane Mesquida), and the other her fat 12-year-old sister, Anaïs (Anaïs Reboux). Picture them as lambs. Add a manipulative older Italian boy, Fernando (Libero De Rienzo). Picture him as the wolf. Witness from close range as the one of the lambs (the thin one) is devoured by the wolf as the other lamb (the fat one) watches in pain but does nothing. The result is FAT GIRL, Catherine Breillat's intense, perplexing, suffocating, grim, terrifying, sickening, dark, plotting depiction of teenage loss of innocence. "Sinister" is what the Italian boy calls what he does to the French girl. "Proof of love" is how the thin girl justifies it. The fat girl, Anaïs, responds by sitting on the beach in her new dress and letting the surf wash up on her as she softly sings sad songs about boredom and death. Later, staring into the mirror, alone together, eye to eye, cheek to cheek, unblinking, the fat and thin sisters calmly share their most hateful feelings for each other. But nothing prepares the viewer for the final blow of the film, which sneaks up with a ferocity that pales the wolf-lamb scenario. Not a pretty picture, Breillat's shockingly realistic work features a fruity color scheme and an optimistic soundtrack that perfects the film's intended confusion of mood and message. [More]
Starring: Anaïs Reboux, Roxane Mesquida, Libero de Rienzo, Arsinee Khanjian
Starring: Anaïs Reboux, Roxane Mesquida, Libero de Rienzo, Arsinee Khanjian, Romain Goupil, Laura Betti, Albert Goldberg, Mark Barriere
Director: Catherine Breillat
Director: Catherine Breillat
Screenwriter: Catherine Breillat
Producer: Jean Francois Lepetit
Studio: Cowboy Pictures
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Reviews for Fat Girl
It's a good thing we've got a year until summertime lures us to the dangers of the idyllic again.
A viciously insightful examination of the ways in which the bond between two teenage sisters is tested when they begin to realize just how powerful and double-edged a weapon beauty is, and how cruel the consequences of its unequal distribution can be.
Reboux's extraordinary performance conveys Anaïs's mixture of precocious insight, animal canniness and vulnerability so powerfully that it ranks among the richest screen portrayals of a child ever filmed.
So daring and unsparing in its depiction of the psyche and experience of adolescent girls that it's hard to imagine an audience that wouldn't find it deeply provocative despite a slow pace.
A lean, mean movie, and not a pretty one, but it leaves no question as to Breillat's angular originality as a filmmaker.
As fascinating as it is discomfiting and as intelligent as it is primal.
Ultimately, the events in Fat Girl feel more like they are chosen to justify a skewed feminist polemic rather than developing from an organic story.
A solid coming-of-age story embracing a girl of 12 who is younger, fatter, and wiser (though less experienced) than her older sister.
Catherine Breillat's vision is so deceptively tranquil that love becomes indistinguishable from rape.
Well acted and directed, with honest, gutsy performances from the young leads and a telling eye for the little details that mean so much.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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