Fay Grim arrives like a breath of fresh air in a stale summer of big budget sequels. It's smart, breezy, serious and silly. It also allows Parker Posey to shine.
Fay Grim (2007)
Tomatometer
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Reviews Counted:85
Fresh:37
Rotten:48
Average Rating:5.4/10
Consensus: Fay Grim is too concerned with its own farcical premise to present a coherent, involving story.
Theatrical Release:May 18, 2007 Limited
Box Office: $61,817
Synopsis: Hal Hartley's 1997 film HENRY FOOL tells the story of Simon Grim (James Urbaniak), a garbage collector in Queens whose burgeoning talent as a poet is spurred on to greatness by Henry (Thomas Jay... Hal Hartley's 1997 film HENRY FOOL tells the story of Simon Grim (James Urbaniak), a garbage collector in Queens whose burgeoning talent as a poet is spurred on to greatness by Henry (Thomas Jay Ryan), a failed novelist with a shady past. Though the film gave Hartley art-house success, it was an unlikely candidate for sequeldom--let alone one that's a spy thriller--but, years later, that what he's given us with FAY GRIM. Henry has been missing for seven years, and Simon's sister, Fay (Parker Posey), is a single parent raising her and Henry's 14-year-old son, Ned (Liam Aiken), in Woodside, Queens. Simon is in prison for helping Henry escape from the law, but Fay is given a chance to spring him when she is approached by CIA agent Fulbright (Jeff Goldblum), who asks her to go Paris to obtain Henry's "confessions," a series of notebooks he filled with international political secrets. Once in Paris, Fay is preyed upon by operatives other than those she is meant to deal with, and things don't go as planned. An unwitting pawn in a complex international scheme set in motion by her missing husband, Fay finds herself traveling to Turkey for answers. Fans of Hartley's work will be pleased with this oddball take on the espionage genre, in which a permanently tilted camera mirrors the loopy proceedings. Though Posey's Fay is a stereotypical "clueless American abroad" in designer duds, and her adventure seems at first to be a silly game, bodies begin piling up, and the tale gathers real weight. FAY GRIM is a unique addition to Hartley's singular body of work, and a treat for indie film fans regardless of their familiarity with HENRY FOOL. [More]
Starring: Parker Posey, Jeff Goldblum, Leo Fitzpatrick, Chuck Montgomery
Starring: Parker Posey, Jeff Goldblum, Leo Fitzpatrick, Chuck Montgomery, James Urbaniak, Saffron Burrows, Liam Aiken, Elina Lowensohn, Thomas Jay Ryan
Director: Hal Hartley
Director: Hal Hartley
Screenwriter: Hal Hartley
Producer: Hal Hartley, Michael S. Ryan, Martin Hagemann, Jason Kliot, Ted Hope
Composer: Hal Hartley
Studio: Magnolia Pictures
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Reviews for Fay Grim
The unorthodoxy of the film is perhaps its biggest asset -- along with the idea that a personal cinema can still exist, be so entertaining and provide something new to feel about character -- and maybe even the universe.
Behind it all is a great, deadpan laugh; I like it a good deal more than Henry Fool.
Too hip to play it straight and too cool to resort to an actual story, [director Hal] Hartley turns the whole rambling spy game into a puzzle box...
"We don't buy for a minute the motivations behind any of the large number of characters, and Posey is nowhere near able to carry the movie."
A fun whirligig of a thriller that comes dangerously close to killing the buzz from its idiosyncratic delights, but manages to survive (mostly) intact.
Luckily, there is Hartley's immense wit to carry it through, but wit can be a dangerous gift, especially when the capacity to be clever overwhelms all else.
Fay Grim plays like a cadre of smug high-school drama students absolutely convinced everyone will be as amused by their antics as they are.
It's odd, endearing and weirdly funny for an hour, and after that it's a bit of a self-conscious mess.
A work that stylishly tilts satire and reality with a grand dose of classic Posey.
A wild and wacky movie about international politics, terrorism, and the antics of an American trickster.
Fay Grim falls victim to its own worried hyperactivity; it shuts you out with chattery paranoia. Hartley wants us to see the big picture, but he forgets we need artists like him to bring it into focus.
a work with heady theological implications that is brilliant, funny, iconoclastic, and so deeply true that it is almost too beautiful to bear
Hartley miraculously manages to make a grandly entertaining (and relevant) movie that never seems as if it's being too cloying.
...while Fay Grim has initial, humorous promise it devolves into a convoluted morass...the search for Henry is far more interesting that the finding of him.
I would have liked to see what Hal Hartley's latest would have been like if he kept Henry [Fool} an enigmatic legend rather than a real, not very likable character/actor.
This film feels like Hartley has been handed a Bourne or a Bond movie to direct and maintained his own style and low-budget aesthetic while thoroughly enjoying and deconstructing his new toy.
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April 28, 2007:
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