...while Fay Grim has initial, humorous promise it devolves into a convoluted morass...the search for Henry is far more interesting that the finding of him.
Fay Grim (2007)
Tomatometer
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Reviews Counted:85
Fresh:37
Rotten:48
Average Rating:5.4/10
Consensus: Fay Grim is too concerned with its own farcical premise to present a coherent, involving story.
Theatrical Release:May 18, 2007 Limited
Box Office: $61,817
Synopsis: Hal Hartley's 1997 film HENRY FOOL tells the story of Simon Grim (James Urbaniak), a garbage collector in Queens whose burgeoning talent as a poet is spurred on to greatness by Henry (Thomas Jay... Hal Hartley's 1997 film HENRY FOOL tells the story of Simon Grim (James Urbaniak), a garbage collector in Queens whose burgeoning talent as a poet is spurred on to greatness by Henry (Thomas Jay Ryan), a failed novelist with a shady past. Though the film gave Hartley art-house success, it was an unlikely candidate for sequeldom--let alone one that's a spy thriller--but, years later, that what he's given us with FAY GRIM. Henry has been missing for seven years, and Simon's sister, Fay (Parker Posey), is a single parent raising her and Henry's 14-year-old son, Ned (Liam Aiken), in Woodside, Queens. Simon is in prison for helping Henry escape from the law, but Fay is given a chance to spring him when she is approached by CIA agent Fulbright (Jeff Goldblum), who asks her to go Paris to obtain Henry's "confessions," a series of notebooks he filled with international political secrets. Once in Paris, Fay is preyed upon by operatives other than those she is meant to deal with, and things don't go as planned. An unwitting pawn in a complex international scheme set in motion by her missing husband, Fay finds herself traveling to Turkey for answers. Fans of Hartley's work will be pleased with this oddball take on the espionage genre, in which a permanently tilted camera mirrors the loopy proceedings. Though Posey's Fay is a stereotypical "clueless American abroad" in designer duds, and her adventure seems at first to be a silly game, bodies begin piling up, and the tale gathers real weight. FAY GRIM is a unique addition to Hartley's singular body of work, and a treat for indie film fans regardless of their familiarity with HENRY FOOL. [More]
Starring: Parker Posey, Jeff Goldblum, Leo Fitzpatrick, Chuck Montgomery
Starring: Parker Posey, Jeff Goldblum, Leo Fitzpatrick, Chuck Montgomery, James Urbaniak, Saffron Burrows, Liam Aiken, Elina Lowensohn, Thomas Jay Ryan
Director: Hal Hartley
Director: Hal Hartley
Screenwriter: Hal Hartley
Producer: Hal Hartley, Michael S. Ryan, Martin Hagemann, Jason Kliot, Ted Hope
Composer: Hal Hartley
Studio: Magnolia Pictures
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Reviews for Fay Grim
Hal Hartley's Fay Grim strikes me as something of an elaborate mistake, a wasted opportunity and a script Hartley should have discarded. But I liked it anyway.
Fay Grim sorely tests the tenacity of [Hal] Hartley's most zealous fans.
The joke in Hal Hartley's deadpan semi-comedy Fay Grim is that the smart, self-aware characters can never see what's right in front of them.
The unorthodoxy of the film is perhaps its biggest asset -- along with the idea that a personal cinema can still exist, be so entertaining and provide something new to feel about character -- and maybe even the universe.
A wild and wacky movie about international politics, terrorism, and the antics of an American trickster.
The majority of the signs point to a director on the decline. Or not, maybe. It's complicated.
The faux espionage plot, with its winks at terrorism, is really just a convoluted plea for the relevance of precious indie artistes (i.e., Hal Hartley).
With all manner of backstories and flashbacks jamming the road, the Posey-mobile starts to swerve and sputter and finally blows a tire.
a work with heady theological implications that is brilliant, funny, iconoclastic, and so deeply true that it is almost too beautiful to bear
The final, tragically uncomprehending close-up of Posey is perfect in a way Hartley didn't intend. It mirrors our incomprehension at his loss of imagination.
What lures the film into disaster, is that [director] Hartley lets slip his sense of humor (always his strongest asset) and begins to believe his own plot.
Hartley should stick to what he knows best - the wacky and eccentric, sometimes annoying but exceedingly touching lives of the blue collar world where he grew up, in an extended family of Long Island iron workers.
When it runs in circles... it exists only for the "art" and can be annoying as hell.
Hartley miraculously manages to make a grandly entertaining (and relevant) movie that never seems as if it's being too cloying.
A work that stylishly tilts satire and reality with a grand dose of classic Posey.
What borders on a pleasingly intricate spy plot lead by the grimacing Parker Posey gets hopelessly tangled in the wrinkles in the story, and it all never quite pays off.
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April 28, 2007:
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