Makes me yearn to use colloquial phrases like 'sucks big time' and 'piece of crap,' but, alas, I cannot bring myself to do so except with quotation marks.
Fear Dot Com (2002)
Tomatometer
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Reviews Counted:88
Fresh:3
Rotten:85
Average Rating:2.6/10
Consensus: As frustrating as a 404 error, Fear Dot Com is a stylish, incoherent, and often nasty mess with few scares.
Rated: R [See Full Rating] for violence including grisly images of torture, nudity and language
Runtime: 1 hr 54 mins
Genre: Horror/Suspense
Theatrical Release:Aug 30, 2002 Wide
Box Office: $13,138,876
Synopsis: "Do you like to watch?" A woman's voice beckons from the computer. Images flash across the screen - parted lips, bound wrists, flesh. Her seductive tone summons you closer, inviting you... "Do you like to watch?" A woman's voice beckons from the computer. Images flash across the screen - parted lips, bound wrists, flesh. Her seductive tone summons you closer, inviting you in... "Do you want to see more?" If you click "yes" - and you know you want to - you'll be logged on to the internet site feardot.com, and the game begins. What follows is a miasma of hellish images that leave unsuspecting voyeurs suffering from morbid hallucinations and unspeakable terror. When four bodies are discovered among the industrial decay and urban grime of New York City, brash young detective Mike Reilly (STEPHEN DORFF) teams with ambitious Department of Health researcher Terry Huston (NATASCHA MCELHONE) to uncover the cause behind their violent and inexplicable deaths. The only common factor shared by the victims? Each died exactly 48 hours after logging on to feardot.com. Were they being punished for their inquisitiveness? For succumbing to temptation? For indulging their guilty pleasures? Determined to confront and destroy the evil force behind the deadly site, Mike logs on and the clock starts ticking. Now he's got 48 hours to face his own worst fears and solve the mystery, or suffer the fate of the victims before him. Together with Terry, he delves deep into a forbidden universe of contaminated souls and shocking imagery, each step bringing them closer to the horrifying counter-reality of feardot.com - and a life-and-death confrontation with Alistair Pratt (STEPHEN REA), a sadistic murderer who has eluded Mike and the FBI for years. What they discover is as mystifying as the deaths themselves... and more terrifying than anything they ever dreamed. "Time's almost up..." -- © 2002 Warner Bros. [More]
Starring: Stephen Dorff, Natascha McElhone, Stephen Rea
Starring: Stephen Dorff, Natascha McElhone, Stephen Rea
Director: William Malone
Director: William Malone
Screenwriter: Josephine Coyle
Producer: Moshe Diamant, Limor Diamant, Andrew Stevens, Elie Samaha
Composer: Nicholas Pike
Studio: Warner Bros.
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Reviews for Fear Dot Com
Completely creatively stillborn and executed in a manner that I’m not sure could be a single iota worse... a soulless hunk of exploitative garbage.
A lackluster movie that is nonentheless extremely creepy, and made with a modicum of respect for an all too often disdained genre and its knowing fans.
Taken purely as an exercise in style, this oppressively gloomy techno-horror clambake is impossible to ignore. But as a movie, it's a humorless, disjointed mess.
Fear Dot Com is more frustrating than a modem that disconnects every 10 seconds.
It may not be very scary, but at least it’s funnier than Master of Disguise.
Intense, effective creepiness mated with inept, laughable policework - tragic to behold.
Two hours of sepia-tinted heavy metal images and surround sound effects of people moaning.
In a year that has given us some of the worst films of all time, this must surely rank as the worst -- and that's a hard thing to do opposite Master of Disguise.
An awfully ridiculous horror film that thinks itself grandly mysterious and bone-shakingly horrifying.
It didn't take itself seriously enough as a legit horror/thriller to bother to avoid some of the lesser conventions of the genre -- or, for that matter, to just make sense.
A mess when it comes to the characters and writing...but works its way underneath the skin like few movies have in recent memory.
I'll go out on a limb. It isn't quite one of the worst movies of the year. It's just merely very bad.
The film's storyline is so convoluted and contradictory that it's difficult to figure out what question the film is asking, let alone find the answer.
What could have been a pointed little chiller about the frightening seductiveness of new technology loses faith in its own viability and succumbs to joyless special-effects excess.
You'd think Jeannie would be angry at mom for being so preposterously dim, but no, she's taking it out on people who surf the internet. You've been warned.
Going to the website may be just as fun (and scary) as going to the film.
With any luck, most moviegoers trying to log on to FeardotCom will find themselves confronted by a busy signal or an internal server error.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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