Opening

75% Fast & Furious 6 May 24
22% The Hangover Part III May 23
63% Epic May 24
96% Before Midnight May 24
85% We Steal Secrets: The Story Of Wikileaks May 24
82% Fill the Void May 24
20% A Green Story
—— Alyce Kills May 24

Top Box Office

87% Star Trek Into Darkness $70.2M
78% Iron Man 3 $35.8M
50% The Great Gatsby $23.9M
46% Pain & Gain $3.2M
69% The Croods $3.0M
77% 42 $2.8M
55% Oblivion $2.3M
99% Mud $2.2M
36% Peeples $2.2M
8% The Big Wedding $1.2M

Coming Soon

—— After Earth May 31
—— Now You See Me May 31
100% The Kings of Summer May 31
89% The East May 31

Angst Essen Seele auf (Ali: Fear Eats the Soul) Reviews

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Cole Smithey
ColeSmithey.com

"Ali: Fear Eats the Soul" is a timeless examination of the insidious effects of prejudice and racism on relationships.

Full Review Source: ColeSmithey.com | Original Score: A

March 5, 2013
Dave Kehr
Chicago Reader
Top Critic IconTop Critic

This 1974 film stands as one of Fassbinder's sturdiest achievements, posed between the low-budget funkiness of his early features and the mannerism of his late period.

Full Review Source: Chicago Reader

May 25, 2011

Film4

A powerful attempt to deal with a range of serious issues as well as the characters' own complex psychologies. Visually and dramatically intense, it remains one of Fassbinder's finest.

Full Review Source: Film4

May 25, 2011
David Parkinson
Empire Magazine

Affecting and moving drama that really explores the selfish nature behind human actions.

Full Review Source: Empire Magazine | Original Score: 4/5

May 25, 2011
Fernando F. Croce
CinePassion

Manages to be both more clinical and more humane than Martha

Full Review Source: CinePassion

September 6, 2009
Variety Staff
Variety
Top Critic IconTop Critic

Technically flawless, deceptively simple and avoiding excesses, it is about problems that are timely and timeless in implications.

Full Review Source: Variety

June 26, 2008

TV Guide's Movie Guide

A mordant satire that's also a touching romance and a powerful indictment of prejudice.

Full Review Source: TV Guide's Movie Guide | Original Score: 4/4

September 18, 2006
Jeffrey M. Anderson
Combustible Celluloid

Fassbinder made this one on the cheap between bigger projects and scored with a beautifully observed, and even oddly gentle tale.

Full Review Source: Combustible Celluloid | Original Score: 4/4

May 26, 2006

Time Out
Top Critic IconTop Critic

Fassbinder uses dramatic and visual excess to push everyday events to extremes, achieving a degree of political and psychological truth not accessible through mere social realism.

Full Review Source: Time Out

January 26, 2006
Emanuel Levy
EmanuelLevy.Com

| Original Score: 4/5

August 26, 2005
Vincent Canby
New York Times
Top Critic IconTop Critic

It is, rather, another quite courageous attempt by Mr. Fassbinder to develop a film style free of the kind of realistic conventions that sentimentalize life's mysteries.

Full Review Source: New York Times | Original Score: 4.5/5

May 9, 2005
James Kendrick
Q Network Film Desk

A simple and powerful film of great and quiet beauty.

Full Review Source: Q Network Film Desk | Original Score: 4/4

January 21, 2004
Dennis Schwartz
Ozus' World Movie Reviews

A chilling tale about bias.

Full Review Source: Ozus' World Movie Reviews | Original Score: B

November 17, 2003
Keith Uhlich
ToxicUniverse.com

Many of Fassbinder's best films possess a kind of cosmic balance. No one character or belief rises above another without the other shoe dropping.

Full Review Source: ToxicUniverse.com | Original Score: 5/5

September 27, 2003
Ed Gonzalez
Slant Magazine

Ali's terse speaking matter is ripe with aphorisms, but it's also another way for Fassbinder to evoke the suspended animation of his character's lives.

Full Review Source: Slant Magazine | Original Score: 4/4

August 31, 2003
Mark Robison
Reno Gazette-Journal

A movie that's simple and honest. It plays universally and feels particularly relevent in 21st century America.

Full Review | Original Score: A

July 22, 2003
Matt Bailey
Not Coming to a Theater Near You

If this were the only film Fassbinder ever made, it would still be one of the great works of cinema. It's only the brilliance and scope of his work both before and after this film that keep me from declaring it his unqualified masterpiece.

Full Review Source: Not Coming to a Theater Near You

July 5, 2003
Jeffrey M. Anderson
San Francisco Examiner

One of Fassbinder's loosest and most powerful films.

| Original Score: 5/5

March 18, 2003
Christopher Null
Filmcritic.com

One of Fassbinder's crown jewels, Ali: Fear Eats the Soul is as powerful as any film he ever made, despite its pedestrian premise.

Full Review Source: Filmcritic.com | Original Score: 4.5/5

November 28, 2002
Philip Martin
Arkansas Democrat-Gazette

| Original Score: 5/5

October 23, 2002
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