Jaglom is an acquired taste, but fans and detractors alike will be keen to learn that his latest is less self-referential and less self-reverential than past offerings.
Festival in Cannes (2002)
Tomatometer
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Reviews Counted:54
Fresh:35
Rotten:19
Average Rating:6.1/10
Consensus: One of Jaglom's better films, Festival in Cannes is an enjoyable insider's take on the movie industry.
Theatrical Release:Mar 8, 2002 Limited
Box Office: $41,006
Synopsis: Director Henry Jaglom presents an insider's look at the Cannes Film Festival with his 13th feature, a fictional piece with a documentary style and feeling. Set at the 1999 festival in the sunny,... Director Henry Jaglom presents an insider's look at the Cannes Film Festival with his 13th feature, a fictional piece with a documentary style and feeling. Set at the 1999 festival in the sunny, glamorous gleam of the French Riviera and the hub of celebrity and fame at the Hotel de Cannes, the film's atmosphere is an essential element of understanding its characters. Drunk with excitement, hope, and deal-making glitz, a small group of filmmakers and stars wade through the day-to-day chaos of the event. Former actress Alice Palmer (Greta Scacchi) has written a beautiful screenplay for an independent film about an older woman. Seeking funding and a leading actress, Alice meets Kaz (Zach Norman), a sleazy and overbearing financier who makes her skin crawl, but promises her $3 million. She also meets the reserved, graceful, and brilliantly coy actress Millie Marquand (Anouk Aimee), who falls in love with the screenplay. But Millie is being heavily recruited by flashy producer Rick Yorkan (Ron Silver), who promises her a fantastic financial reward to play a small cameo in a Hollywood Tom Hanks film. Meanwhile, Millie's estranged husband, Viktor (Maximilian Schell), a womanizing director, is gallivanting around the festival trying to advocate the value of art films as compared to Hollywood studio films, while also searching for the perfect deal regardless of artistry. A dizzying portrait of a world where everyone has a hidden agenda and a dozen handy lies tucked up their sleeves, FESTIVAL IN CANNES paints a cynical, but perhaps honest, portrait of the film industry. [More]
Starring: Anouk Aimée, Greta Scacchi, Maximilian Schell, Ron Silver
Starring: Anouk Aimée, Greta Scacchi, Maximilian Schell, Ron Silver, Zack Norman, Peter Bogdanovich, Jenny Gabrielle, William Shatner
Director: Henry Jaglom
Director: Henry Jaglom
Screenwriter: Victoria Foyt, Henry Jaglom
Producer: John Goldstone, Judith Wolinsky
Composer: Gaili Schoen
Studio: Paramount Classics
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Reviews for Festival in Cannes
If [Jaglom's] latest effort is not the director at his most sparkling, some of its repartee is still worth hearing.
A witty, trenchant, wildly unsentimental but flawed look at the ins and outs of modern moviemaking.
The experience of going to a film festival is a rewarding one; the experiencing of sampling one through this movie is not.
The kind of sweet-and-sour insider movie that film buffs will eat up like so much gelati.
At its best ... Festival in Cannes bubbles with the excitement of the festival in Cannes.
For all the wit and hoopla, Festival In Cannes offers rare insight into the structure of relationships.
This isn't a terrible film by any means, but it's also far from being a realized work.
Made to be Jaglomized is the Cannes Film Festival, the annual Riviera spree of flesh, buzz, blab and money. The charming result is Festival in Cannes.
It's quite an achievement to set and shoot a movie at the Cannes Film Festival and yet fail to capture its visual appeal or its atmosphere.
[Jaglom] creates an engaging insider's world of enthusiastically entertaining characters and absorbing situations.
The cast is so low-wattage that none of the characters comes off as big ... and the setting remains indistinct.
If Festival in Cannes nails hard- boiled Hollywood argot with a bracingly nasty accuracy, much about the film, including some of its casting, is frustratingly unconvincing.
A wildly erratic drama with sequences that make you wince in embarrassment and others, thanks to the actors, that are quite touching.
A rambling ensemble piece with loosely connected characters and plots that never quite gel.
Those outside show business will enjoy a close look at people they don't really want to know.
One of [Jaglom's] better efforts -- a wry and sometime bitter movie about love.
Like most of Jaglom's films, some of it is honestly affecting, but more of it seems contrived and secondhand.
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