Filly Brown (2013)
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as Maria Jose 'Majo' To...
as Maria Tonorio
as Jose Tonorio
as MC Wyatt
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Critic Reviews for Filly Brown
A routine music business cautionary tale, the film shuffles its decks ever so slightly by casting a Latino actress as its lead, but doesn't do enough to shed the exasperating confines of the star-is-born genre.
More heartfelt, humanistic, and entertaining than such a clichéd showbiz cautionary tale has any right to be.
Almost despite our will, the cast keeps us invested in Filly's furious resurrection.
Unfortunately, the film is marred by a story, situations and stereotypical characters that strike all-too-familiar chords.
A trite piece of storytelling, with character development and plot points that feel not so much lived in as borrowed from other movies.
Audience Reviews for Filly Brown
It is not the most original of stories, but it is worth a watch. Everyone got exactly the ending that they deserved and there is something very satisfying about that.
Minus all the unnecessary cursing it was a pretty good story. The acting from Gina was believable and the music was pretty tight along with her flow. A pretty good watch.
Majo (Gina Rodriguez - Go For It!) is a young Los Angelina with flair-to-spare and an unquestionable musical talent for rhythm and rhyming who dreams of making it big in the hip-hop music world so that she can help better provide for her hardworking father and younger sister as her family has struggled to make ends meet following a betrayal they all suffered at the hands of a selfish mother whose addictions and double-dealings with dangerous criminals imperiled her very own family's well-being. A cast of primarily unknown (and primarily Latino) actors stars in the gritty, urban drama Filly Brown. Filly Brown becomes the adopted moniker of Majo -- itself short for Maria Jose -- as she tries to capitalize on the wild success of a heartfelt, single (rather impromptu -- and rather catchy) song after she signs with a hustler of a record producer who promises her the world ... in order to get her signature so that HE can start making some money off of her. Majo begins her "journey" as guileless and naïve believing that most people are good and that others are always looking out for the best interests of everyone else. It is unfortunate -- but necessary for this predictable movie -- that Filly Brown does not quickly realize the truth of what is going on around her as she visits her mother in prison (the late banda singer-songwriter, Jenni Rivera in her first-and-only feature film performance) and readily takes her advice over that of her steadfast father (Lou Diamond Phillips - Courage Under Fire) and others who have actually always looked out for Majo. It doesn't make a lot of sense why Majo does some of the things she does -- she's rather contradictory for the sole purpose of adding "layers" to the film. Like the character, Filly Brown would like to be good and respected but it is hard to do so when it is all manipulated. Very little feels as if it is spontaneously happening onscreen (or in the film) as it mostly all comes across as scripted. The film's best moments are Filly's few spontaneous bits of musical outburst and some of the scenes featuring Rivera as a frightening mother figure you would not want watching over you at night.
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