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The Final Cut (2004)
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Reviews Counted:74
Fresh:28
Rotten:46
Average Rating:5.4/10
Rated: PG-13 [See Full Rating] for mature thematic material, some violence, sexuality and language
Runtime: 1 hr 45 mins
Genre: Dramas
Theatrical Release:Oct 15, 2004 Limited
Box Office: $529,194
Synopsis: Omar Naim's futuristic science-fiction story generates many mysterious, alluring, and thought-provoking questions about memory, surveillance, and the ethics of personal privacy. Set in the future,... Omar Naim's futuristic science-fiction story generates many mysterious, alluring, and thought-provoking questions about memory, surveillance, and the ethics of personal privacy. Set in the future, THE FINAL CUT offers a vision of a world where soon-to-be parents agree to let doctors surgically implant memory chips into the brains of their unborn children. These memory chips are like video cameras with infinite tape stock that comprehensively record the lives of their hosts through the hosts' own eyes--for better or for worse. When a host dies, a "cutter"--played here by an eerily introspective Robin Williams--receives the memory chip footage from the deceased person's family in order to edit the memories for a palatable funereal screening, called a "rememory." But are memories public or private? Is it fair for a cutter to decide what comprises a host's life story? And do people behave differently knowing that someone will view their lives, even their most intimate and discreet moments, as a short film? THE FINAL CUT's use of sharp and furtive handheld camera footage to depict the perspective of memory, set in contrast with the evenly measured cinematography of the rest of the film, constantly foregrounds the medium of film as memory-capturing and memory-making device. With an understated politic and a tightly wound narrative, this film delivers an open-minded and sophisticated meditation on ethics and technology, guilt and redemption, and the property rights of one's own cerebral cortex. [More]
Starring: Robin Williams, Mira Sorvino, Mimi Kuzyk, Jim Caviezel
Starring: Robin Williams, Mira Sorvino, Mimi Kuzyk, Jim Caviezel, Thom Bishops, Stephanie Romanov, Vincent Gale
Director: Omar Naim
Director: Omar Naim
Screenwriter: Omar Naim
Composer: Brian Tyler
Studio: Lions Gate Films
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Reviews for The Final Cut
the plot creaks with wild coincidences, spotty writing, and twists that fail to thrill so much as make the audience groan in the face yet another cliché
It'll take more than a fancy computer chip to help me remember this one.
Naim has created a low-key mood piece that should have been more cutting.
The message of The Final Cut is clear: memories can't be trusted, and neither can Canadians.
The Final Cut is a subdued experience that can't overcome some critical editing flaws.
Maybe this movie needed one more final cut to clean up the rough spots, but even with all its flaws it still has entertainment value.
the director juggles some enticing threads, then chooses the least interesting one to follow through on
The director's leaden touch and the plot's insistent banality obscure any conceptual resonance.
This debut from writer-director Omar Naim is cut-and-dried sci-fi thriller business.
Naim has conjured up a sci-fi conundrum worthy of Philip K. Dick, but he fails to flesh it out, choosing instead to hop around several subplots.
Having given away the key to Williams’ character in the opening scenes, the movie becomes so cluttered with concept and design, it fails to get even a toehold on the humanistic subtext it’s clearly reaching for.
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