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The Final Cut (2004)
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Reviews Counted:74
Fresh:28
Rotten:46
Average Rating:5.4/10
Rated: PG-13 [See Full Rating] for mature thematic material, some violence, sexuality and language
Runtime: 1 hr 45 mins
Genre: Dramas
Theatrical Release:Oct 15, 2004 Limited
Box Office: $529,194
Synopsis: Omar Naim's futuristic science-fiction story generates many mysterious, alluring, and thought-provoking questions about memory, surveillance, and the ethics of personal privacy. Set in the future,... Omar Naim's futuristic science-fiction story generates many mysterious, alluring, and thought-provoking questions about memory, surveillance, and the ethics of personal privacy. Set in the future, THE FINAL CUT offers a vision of a world where soon-to-be parents agree to let doctors surgically implant memory chips into the brains of their unborn children. These memory chips are like video cameras with infinite tape stock that comprehensively record the lives of their hosts through the hosts' own eyes--for better or for worse. When a host dies, a "cutter"--played here by an eerily introspective Robin Williams--receives the memory chip footage from the deceased person's family in order to edit the memories for a palatable funereal screening, called a "rememory." But are memories public or private? Is it fair for a cutter to decide what comprises a host's life story? And do people behave differently knowing that someone will view their lives, even their most intimate and discreet moments, as a short film? THE FINAL CUT's use of sharp and furtive handheld camera footage to depict the perspective of memory, set in contrast with the evenly measured cinematography of the rest of the film, constantly foregrounds the medium of film as memory-capturing and memory-making device. With an understated politic and a tightly wound narrative, this film delivers an open-minded and sophisticated meditation on ethics and technology, guilt and redemption, and the property rights of one's own cerebral cortex. [More]
Starring: Robin Williams, Mira Sorvino, Mimi Kuzyk, Jim Caviezel
Starring: Robin Williams, Mira Sorvino, Mimi Kuzyk, Jim Caviezel, Thom Bishops, Stephanie Romanov, Vincent Gale
Director: Omar Naim
Director: Omar Naim
Screenwriter: Omar Naim
Composer: Brian Tyler
Studio: Lions Gate Films
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Reviews for The Final Cut
Naim's direction is as pedestrian as his screenplay, and his inexperience at working with actors surfaces in the one-note performances.
It’s nice to see Mira Sorvino who has sort of wobbled about since winning the Oscar about ten years ago she is very good in this film.
Williams has extraordinary success in channeling this other person. How strange that the same actor can play some of the most uninhibited of all characters, and some of the most morose.
Naim has created a low-key mood piece that should have been more cutting.
Writer/director Omar Naim succumbs to most of the pitfalls of mediocre science fiction, inventing a 'dehumanizing' technology that's patently preposterous and then prodding us into getting all flustered about it.
This debut from writer-director Omar Naim is cut-and-dried sci-fi thriller business.
Final Cut offers up some interesting ideas, and it would have been nice to see these ideas deepened.
This first feature from writer-director Omar Naim is unusually accomplished.
This premise sounds like the sort of a screwy, non-idea that a young film student might dream up while editing a documentary. And according to the press notes, that's just what happened.
For all its brain teasing, Final Cut is more a philosophical rumination than an engaging drama.
Maybe it's the small budget, but Cut scores points for making the future look pleasingly like next week and touching on topics of memory and personal responsibility.
What is it with Robin Williams playing creepy roles? How did the one-time funniest guy on earth turn into Mr. Spooky? Come back, Mork, your work here was not done.
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