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The Final Cut Reviews

Page 1 of 5
Felix Vasquez Jr.
Cinema Crazed

A sleepy, boring, and utterly forgettable thriller...

Full Review Source: Cinema Crazed

April 29, 2009
Peter T. Chattaway
Christianity Today

Most significantly, the film underscores the fact that the meaning of our lives ultimately comes from somewhere outside of ourselves.

| Original Score: 2.5/4

September 22, 2006
Luis Martinez

Robin Williams edita con estoica convicción, los pecados de los hombres.

Full Review Source: Cinenganos | Original Score: 3.5/5

April 30, 2005
Forrest Hartman
Reno Gazette-Journal

A solid thriller through most of its 105-minute run. Sadly, the film comes to a sudden, and dissatisfying, halt.

| Original Score: C+

April 8, 2005
Pablo Villaca
Cinema em Cena

O melhor aspecto do filme reside na maneira inteligente com que discute as implicações sociais e morais de sua premissa - a marca registrada de toda boa ficção científica.

Full Review Source: Cinema em Cena | Original Score: 4/5

April 8, 2005
Jean Lowerison
San Diego Metropolitan

If the ending is predictable and even anti-climactic, chalk it up to a first effort. The rest of the film, brilliantly shot by Tak Fujimoto, is worth a look-see.

Full Review Source: San Diego Metropolitan

April 2, 2005
Brian Juergens
Freeze Dried Movies

The message of The Final Cut is clear: memories can't be trusted, and neither can Canadians.

Full Review Source: Freeze Dried Movies | Original Score: 2/5

April 1, 2005
Mark R. Leeper

Naim's script is intelligent, but not always easy to follow. It is an example of a fully adult science fiction film and one that does not require any special effects.

Full Review | Original Score: 8/10

March 30, 2005
Staci Layne Wilson

Reminiscent of science fiction cautionary tales like Gattaca and anything written by Philip K. Dick, The Final Cut is a must-see.

Full Review Source:

March 13, 2005
Sean Burns
Philadelphia Weekly

I'm frankly amazed the foolish, cheap-looking thing didn't go straight to the Sci-Fi Channel.

Full Review

November 8, 2004
Walter Chaw
Film Freak Central

Everything of minor interest in the piece (and Williams' late career) is crystallized in the lyrics to the maudlin Pink Floyd song that bears this film's name.

Full Review Source: Film Freak Central | Original Score: 1/4

October 21, 2004
Lawrence Toppman
Charlotte Observer

It's a thoughtful, multi-layered film that falls a bit short of its goals on all fronts.

Full Review Source: Charlotte Observer | Original Score: 3/4

October 21, 2004
Emily Blunt
Blunt Review

Final Cut will burrow into your psyche and make you wonder. It's a smart, dark, glimpse into cerebral science's possible paths and the menacing state of civil rights' future.

Full Review Source: Blunt Review | Original Score: 4/4

October 20, 2004
Stephen Whitty
Newark Star-Ledger
Top Critic IconTop Critic

It's not quite as smart as it thinks it is.

Full Review Source: Newark Star-Ledger

October 20, 2004
Ethan Alter
Film Journal International

Naim's direction is as pedestrian as his screenplay, and his inexperience at working with actors surfaces in the one-note performances.

Full Review Source: Film Journal International

October 19, 2004
Richard Roeper
Ebert & Roeper
Top Critic IconTop Critic

It's nice to see Mira Sorvino who has sort of wobbled about since winning the Oscar about ten years ago she is very good in this film.

Full Review Source: Ebert & Roeper

October 19, 2004
Harvey S. Karten

An original idea but too dark--not the story, but the set.

Full Review Source: Compuserve | Original Score: B-

October 17, 2004
Roger Ebert
Chicago Sun-Times
Top Critic IconTop Critic

Williams has extraordinary success in channeling this other person. How strange that the same actor can play some of the most uninhibited of all characters, and some of the most morose.

Full Review Source: Chicago Sun-Times | Original Score: 3/4

October 15, 2004
Bob Strauss
Los Angeles Daily News

Naim has created a low-key mood piece that should have been more cutting.

Full Review Source: Los Angeles Daily News | Original Score: 2.5/4

October 15, 2004
Steve Schneider
Orlando Weekly

Writer/director Omar Naim succumbs to most of the pitfalls of mediocre science fiction, inventing a 'dehumanizing' technology that's patently preposterous and then prodding us into getting all flustered about it.

Full Review Source: Orlando Weekly | Original Score: 2.5/5

October 15, 2004
Page 1 of 5
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