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Movies / On DVD / Floating Weeds
Floating Weeds

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Floating Weeds (1959)

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Reviews Counted:20

Fresh:19

Rotten:1

Average Rating:8.4/10

Consensus: Floating Weeds boasts the visual beauty and deep tenderness of director Yasujiro Ozu's most memorable films -- and it's one of the few the master shot in color.

Runtime: 2 hrs 8 mins

Genre: Foreign Films

Synopsis: Yasujiro Ozu changes his traditional focus on the family only to recreate it among the cantankerous and meandering travels of a small time kabuki troupe. This sumptuously filmed melodrama, a color... Yasujiro Ozu changes his traditional focus on the family only to recreate it among the cantankerous and meandering travels of a small time kabuki troupe. This sumptuously filmed melodrama, a color remake of an earlier Ozu silent film, A STORY OF FLOATING WEEDS, follows the troupe as they arrive at a small coastal village. The leader of the troupe, Komajuro Arashi, has ulterior motives, a long overdue visit with a former mistress and their illegitimate son Kiyoshi. The boy has seen his father so infrequently, that he believes him to be his uncle. This confusion continues as the past and present mistresses encounter each other, and a young actress from the troupe attempts to seduce and subsequently falls in love with the leader's son at the bequest of the current jealous mistress. A kind of Japanese madcap love story, FLOATING WEEDS, as with many Ozu films, is tinged with melancholy and failure nevertheless. The troupe fails and lovers are spurned, people have aged and changed, generations bristle and life must go on. [More]

Starring: Machiko Kyô, Ganjiro Nakamura, Haruko Sugimura, Ayako Wakao

Starring: Machiko Kyô, Ganjiro Nakamura, Haruko Sugimura, Ayako Wakao

Director: Yasujiro Ozu

Director: Yasujiro Ozu

[See More Credits]

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Release:

May 19, 1993

No Details Exist
 
 

Reviews for Floating Weeds

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1 - 20 (sorted by date)
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Reviews
Tomatometer Critic Review Category
tomato

Philip French

This is a vibrant movie, one of his few in colour, and touches on universal themes through the story of a middle-aged actor and his young mistress coming with a second-rate kabuki company to a small coastal town.

Full Review Source: | comment Comment | Jul., 28 2008 02:00 PM

Observer [UK]

tomato
4/5

Peter Bradshaw

Ozu's familiar combination of melancholy regret and buoyant comic gaiety is beguilingly in evidence.

Full Review Source: | comment Comment | Jul., 28 2008 01:59 PM

Guardian [UK]

tomato
4/5

Tom Dawson

A thoroughly absorbing affair.

Full Review Source: | comment Comment | Jul., 28 2008 01:57 PM

Total Film

tomato

Douglas Pratt

Yasujiro Ozu's film is in color, and the screen compositions are incredible.

Full Review Source: | comment Comment | Jul., 28 2008 01:53 PM

DVDLaser

splat
2.5/4

A variation on the theme of the family that pervades nearly all Ozu's pictures.

Full Review Source: | comment Comment | Jul., 28 2008 01:51 PM

TV Guide's Movie Guide

tomato
3/5

David Parkinson

It's slow, slightly old fashioned, and one of Ozu's weaker works, but even in one of his lesser works there's still much to marvel at and appreciate.

Full Review Source: | comment Comment | Dec., 30 2006 07:36 AM

Empire Magazine

tomato
81/100

Dan Jardine

As with much of Ozu's ouevre, verges on the melodramatic, but shows just enough restraint to prevent descent into such syrupy realms

Full Review Source: | comment Comment | Dec., 22 2006 08:51 AM

Cinemania

tomato

Geoff Andrew

The sheer beauty of Ozu's exquisite (and typically eccentric) compositions and the expressive use of sound tell all you need know about the characters, their emotions and relationships.

Full Review Source: | comment Comment | Jan., 26 2006 03:16 AM

Time Out

tomato
4/5

Emanuel Levy

No review available.

comment Comment | Jul., 23 2005 04:20 PM

EmanuelLevy.Com

tomato
5/5

Roger Greenspun

Ozu is, however, very special in his technique, which by the end of his career, had become very modest, lucid and lovely.

Full Review Source: | comment Comment | May., 09 2005 03:16 AM

New York Times

tomato
4/5

Don Willmott

Like all of Ozu’s work, it’s incredibly human, and that can be a rarity in the artificial world of the cinema.

Full Review Source: | comment Comment | Aug., 04 2004 10:50 AM

Filmcritic.com

tomato
4/4

Jeffrey M. Anderson

Provides endless pleasure.

Full Review Source: | comment Comment | May., 24 2004 08:16 AM

Combustible Celluloid

tomato
5/5

Carol Cling

No review available.

comment Comment | Aug., 22 2003 06:10 PM

Las Vegas Review-Journal

tomato
4/5

Tom Dawson

Richly atmospheric, with its expressive use of colour, lyrical cutaways, and masterly interior compositions -- predominantly shot from Ozu's trademark low-level camera position -- impressively illustrating the director's visual artistry.

Full Review Source: | comment Comment | Jul., 29 2003 05:11 PM

BBC

tomato
A+

Dennis Schwartz

All Ozu's films are great.

Full Review Source: | comment Comment | Jul., 16 2003 02:59 PM

Ozus' World Movie Reviews

tomato

Ali Catterall

A poignant tale of everyday folk; their lives, loves and losses, rendered with exquisite care, compassion and no small measure of humanity by one of the masters of Japanese cinema.

Full Review Source: | comment Comment | May., 24 2003 08:12 AM

Channel 4 Film

tomato
5/5

Matt Bailey

No review available.

comment Comment | Apr., 04 2003 11:30 PM

Not Coming to a Theater Near You

tomato
A

John A. Nesbit

His scenes pack far more emotional punch than any of Jerry Bruckheimer's explosive special effects.

Full Review Source: | comment Comment | Jul., 05 2002 08:22 AM

Old School Reviews

tomato

Dave Kehr

His spare, slow-moving films are not for all tastes, but once the rhythms are accepted, Ozu's work offers a unique emotional experience.

Full Review Source: | comment Comment | Jan., 01 2000 12:00 AM

Chicago Reader

tomato
4/4

Roger Ebert

Sooner or later, everyone who loves movies comes to Ozu. He is the quietest and gentlest of directors, the most humanistic, the most serene. But the emotions that flow through his films are strong and deep.

Full Review Source: | comment Comment | Jan., 01 2000 12:00 AM

Chicago Sun-Times

 
 
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