Sure, the actors are beautiful, (so are the houses), but nothing draws you into the story -- even the scandals are talked about rather than depicted.
The Flower of Evil (2003)
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Reviews Counted:59
Fresh:38
Rotten:21
Average Rating:6.2/10
Theatrical Release:Oct 10, 2003 Limited
Synopsis: Claude Chabrol's 50th feature, THE FLOWER OF EVIL, feels like familiar territory for this New Wave master. A cryptic opening scene, in which the camera floats through abandoned rooms of the... Claude Chabrol's 50th feature, THE FLOWER OF EVIL, feels like familiar territory for this New Wave master. A cryptic opening scene, in which the camera floats through abandoned rooms of the family's picture-perfect Bordeaux chateau, sets the mood for a black comedy with murderous underpinnings swathed in bittersweet bourgeois bliss. Francois (Benoit Magimel), the handsome young son, returns home from a 3-year stay in Chicago, and quickly rekindles a fiery romance with his cousin, Michele (Melanie Doutey). Meanwhile, his mother Anne (Natalie Baye) is running for public office, and has stirred up more than a bit of controversy. When a slanderous letter appears in the newspaper revealing family indiscretions--incest, adultery, murder, and even war crimes--the entire family remains firmly in denial of any wrongdoing. The dead giveaway is sweet, elderly Aunt Line (Suzanne Flon) whose mischievous smile pegs her as the omniscient keeper of family secrets. This movie screened in October 2003 as part of the 41st New York Film Festival organized by the Film Society of Lincoln Center. [More]
Starring: Nathalie Baye, Benoit Magimel, Bernard Lecoq, Suzanne Flon
Starring: Nathalie Baye, Benoit Magimel, Bernard Lecoq, Suzanne Flon, Thomas Chabrol, Melanie Doutey
Director: Claude Chabrol
Director: Claude Chabrol
Screenwriter: Caroline Eliacheff, Louise L. Lambrichs, Claude Chabrol
Producer: Marin Karmitz
Composer: Matthieu Chabrol
Studio: Palm Pictures
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Reviews for The Flower of Evil
Although the acting is good, the plot lacks punch and the characters are difficult to empathise, or sympathise, with.
I would prefer to think of it as a masterly work of the artist's late period rather than as the tired product of his old age.
There is nothing wrong with the acting here nor with the film in general, other than the sense that Chabrol is doing good work in turf where he has already done great work.
So much of the plot is conveyed in subtitled dialogue and so little of the action takes place in scene that moviegoers will likely experience the tale secondhand.
[Not] a hint of suspense or even foreboding. Chabrol might as easily have been telling about a bridge tournament as about betrayal and murder.
The 73-year-old Chabrol has dashed off a near-abstract but infinitely intriguing formulation on guilt, recurrence and the perpetual present.
Mediocre melodrama - if you take away all the talk about incest, rape and murder there would be about ten minutes of door-to-door campaigning and a couple of dinner parties.
Flower toys with us, holding back information and hinting that there's more to the story than meets the eye.
Chabrol's filmmaking has rarely seemed more assured, elegant, and intelligent.
Eminently watchable because of the care and precision Chabrol takes in the interaction among his characters.
Flower may be Chabrol-lite, but the master's loyal fans will find this handsome production delicious.
The not-so-wicked melodramas that ensue bring to mind a tame revue of V.C. Andrews’ garden-themed Flowers in the Attic series.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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