The picture wanders a bit, but every so often the master unleashes something very cool -- such as an ominous birdcage looming in the foreground -- that snaps us back in.
The Flower of Evil (2003)
Tomatometer
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Reviews Counted:59
Fresh:38
Rotten:21
Average Rating:6.2/10
Theatrical Release:Oct 10, 2003 Limited
Synopsis: Claude Chabrol's 50th feature, THE FLOWER OF EVIL, feels like familiar territory for this New Wave master. A cryptic opening scene, in which the camera floats through abandoned rooms of the... Claude Chabrol's 50th feature, THE FLOWER OF EVIL, feels like familiar territory for this New Wave master. A cryptic opening scene, in which the camera floats through abandoned rooms of the family's picture-perfect Bordeaux chateau, sets the mood for a black comedy with murderous underpinnings swathed in bittersweet bourgeois bliss. Francois (Benoit Magimel), the handsome young son, returns home from a 3-year stay in Chicago, and quickly rekindles a fiery romance with his cousin, Michele (Melanie Doutey). Meanwhile, his mother Anne (Natalie Baye) is running for public office, and has stirred up more than a bit of controversy. When a slanderous letter appears in the newspaper revealing family indiscretions--incest, adultery, murder, and even war crimes--the entire family remains firmly in denial of any wrongdoing. The dead giveaway is sweet, elderly Aunt Line (Suzanne Flon) whose mischievous smile pegs her as the omniscient keeper of family secrets. This movie screened in October 2003 as part of the 41st New York Film Festival organized by the Film Society of Lincoln Center. [More]
Starring: Nathalie Baye, Benoit Magimel, Bernard Lecoq, Suzanne Flon
Starring: Nathalie Baye, Benoit Magimel, Bernard Lecoq, Suzanne Flon, Thomas Chabrol, Melanie Doutey
Director: Claude Chabrol
Director: Claude Chabrol
Screenwriter: Caroline Eliacheff, Louise L. Lambrichs, Claude Chabrol
Producer: Marin Karmitz
Composer: Matthieu Chabrol
Studio: Palm Pictures
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Reviews for The Flower of Evil
Told without drama, as if this were just an ordinary family, it is the subtleties of the details that win you over.
While it's not quite as satisfying as his underappreciated Merci pour le chocolat (2000), it's still nasty fun at the expense of the upper middle class.
Leave reason behind, back in steerage class, and simply breathe in the foibles of the (upper) crust on this crème brûlée.
The Flower of Evil is a fascinating exploration of how messy family secrets can spoil people's lives down through the generations.
The 73-year-old Chabrol has dashed off a near-abstract but infinitely intriguing formulation on guilt, recurrence and the perpetual present.
Chabrol continues his slide into quaint, comfortable insignificance with his umpteenth treatment of a theme--he's become sort of a French Ozu, if you will, but with murder.
The slightness of Chabrol’s latest work, for all its machinations of murder and scandal, keeps ["The Flower of Evil"] from being much more than an OK effort by the master.
fans of Chabrol should find small pleasures in one of his lesser works
There's a solid message here about wealth and hypocrisy, but it's watered down by the opaque storytelling.
Mediocre melodrama - if you take away all the talk about incest, rape and murder there would be about ten minutes of door-to-door campaigning and a couple of dinner parties.
Claude Chabrol gives ample opportunity for his audience to take pokes at those whacky French.
Uninteresting characters, slow storytelling and the deadly dullness of the film's overall talky quality ... take away any potential sting that the Gallic helmer had envisioned for his big-screen critique.
I feel such an affection for Chabrol and his work that I probably can't see The Flower of Evil as it would be experienced by a first-time viewer.
So much of the plot is conveyed in subtitled dialogue and so little of the action takes place in scene that moviegoers will likely experience the tale secondhand.
The not-so-wicked melodramas that ensue bring to mind a tame revue of V.C. Andrews’ garden-themed Flowers in the Attic series.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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