Claude Chabrol gives ample opportunity for his audience to take pokes at those whacky French.
The Flower of Evil (2003)
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Reviews Counted:59
Fresh:38
Rotten:21
Average Rating:6.2/10
Theatrical Release:Oct 10, 2003 Limited
Synopsis: Claude Chabrol's 50th feature, THE FLOWER OF EVIL, feels like familiar territory for this New Wave master. A cryptic opening scene, in which the camera floats through abandoned rooms of the... Claude Chabrol's 50th feature, THE FLOWER OF EVIL, feels like familiar territory for this New Wave master. A cryptic opening scene, in which the camera floats through abandoned rooms of the family's picture-perfect Bordeaux chateau, sets the mood for a black comedy with murderous underpinnings swathed in bittersweet bourgeois bliss. Francois (Benoit Magimel), the handsome young son, returns home from a 3-year stay in Chicago, and quickly rekindles a fiery romance with his cousin, Michele (Melanie Doutey). Meanwhile, his mother Anne (Natalie Baye) is running for public office, and has stirred up more than a bit of controversy. When a slanderous letter appears in the newspaper revealing family indiscretions--incest, adultery, murder, and even war crimes--the entire family remains firmly in denial of any wrongdoing. The dead giveaway is sweet, elderly Aunt Line (Suzanne Flon) whose mischievous smile pegs her as the omniscient keeper of family secrets. This movie screened in October 2003 as part of the 41st New York Film Festival organized by the Film Society of Lincoln Center. [More]
Starring: Nathalie Baye, Benoit Magimel, Bernard Lecoq, Suzanne Flon
Starring: Nathalie Baye, Benoit Magimel, Bernard Lecoq, Suzanne Flon, Thomas Chabrol, Melanie Doutey
Director: Claude Chabrol
Director: Claude Chabrol
Screenwriter: Caroline Eliacheff, Louise L. Lambrichs, Claude Chabrol
Producer: Marin Karmitz
Composer: Matthieu Chabrol
Studio: Palm Pictures
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Reviews for The Flower of Evil
Each of the characters in the film is so real, so fully drawn, that you feel you know him or her as a person, not as fiction.
As usual, Chabrol manages to get us worked up over these people, but any further investment is hard to justify.
Uninteresting characters, slow storytelling and the deadly dullness of the film's overall talky quality ... take away any potential sting that the Gallic helmer had envisioned for his big-screen critique.
I feel such an affection for Chabrol and his work that I probably can't see The Flower of Evil as it would be experienced by a first-time viewer.
Stylish, ingenious and gleaming with charm, wit and malice, it's another expert blend of domestic drama and crime thriller, a vivisection of the bourgeoisie.
Chabrol's filmmaking has rarely seemed more assured, elegant, and intelligent.
An elegant, gracefully made movie, but it unreels with something of the same dull sense of preordainment.
[Not] a hint of suspense or even foreboding. Chabrol might as easily have been telling about a bridge tournament as about betrayal and murder.
This three-generation melodrama, set in the Bordeaux region, may be just an elegant shadow of 'the gallic Hitchcock,' but even pale and dry, it's still Chabrol and sippable.
Leave reason behind, back in steerage class, and simply breathe in the foibles of the (upper) crust on this crème brûlée.
Neither as shocking nor as enlightening as it obviously intends to be -- or as it believes itself to be.
The strength of this movie is how it starts as a standard whodunit only to become something else: a cunning Chabrol study of incest and old money peppered with a wicked sense of humor.
Sure, the actors are beautiful, (so are the houses), but nothing draws you into the story -- even the scandals are talked about rather than depicted.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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