First-time director Nate Taylor skillfully evokes a clammy sense of dread in this stealthily suspenseful indie thriller.
The frequent use of direct-address narration feels too much like a fiction writer's device, however much it wants to be a hook.
| Original Score: 2/5
Written with a poet's ear and directed with an artist's eye ...
| Original Score: 4/5
Thanks to some well-drawn characters and tight casting, including Anna Camp and Lindsay Beamish as an exceptionally troubled makeup artist, Taylor overcomes the script's minor implausibilities.