Average Rating: 4.5/10
Reviews Counted: 10
Fresh: 3 | Rotten: 7
No consensus yet.
Average Rating: N/A
Critic Reviews: 3
Fresh: 0 | Rotten: 3
liked it
Average Rating: 3.5/5
User Ratings: 121
On April 9, 1948, a Jewish militia entered the Palestinian village of Deir Yassin and killed over 100 villagers. Soon after, a mental hospital was built on the ruins. The first patients to be committed were Holocaust survivors. A legend says that to this day, the survivors have been communicating with the ghosts of the village. FORGIVENESS tells the story of David Adler, a 20-year old American-Israeli who decides to move back to Israel, only to find himself committed to a mental institution that
Feb 11, 2006 Wide
International Film Circuit
All Critics (12) | Top Critics (4) | Fresh (3) | Rotten (7)
The result is a hodgepodge of plots and styles, a fault compounded by stiff acting and, except for a few scenes, wooden direction.
The message may be clear -- suppress the past at your peril -- but the execution is a mess.
David's trauma, madness, and recovery is arranged as a puzzle of dreams, flashbacks, hallucinations, and strikingly choreographed numbers that, while occasionally dazzling, remains in pieces at film's end.
While the subject of this Israeli feature is riveting and the intention honorable, the narrative strategy and technical execution leave much to be desired.
Builds on real macabre coincidences to pile on symbolism higher and higher in time-tripping phantasmagoria of flashbacks, nightmares,fantasy and occasional credibility.
Isn't it time to accept that narrative film may not be the best way to deal with complicated socio-political issues like the Israel-Palestine conflict?
The film's laudable attempts to encompass the far-reaching quagmire of Jewish tribal identity, politics and psychology could have a profound effect on the audiences who do find it.
Forgiveness feels like a high-concept stage play, the kind of well-meant but pretentious project where grand themes are worked out in a claustrophobic setting among a small cast.
Its originality is stunted by a hodgepodge of pretentious scenes.
A metaphorical Israeli trauma sanctuary built over a massacred Palestinian village, and a raw yet mystical inquiry into the thin line between war and murder, and how combat multiples rather than eradicates enemies. Jewish guilt, Israeli style.
Exellent, very powerful film. I loved it.
May 3, 2010
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