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This deluxe German/British production was originally released as simply F.P. 1. The story and characterizations take a back seat to the massive sets and state-of-art (for 1933) special effects. The floating aerodrome which provides the film's centerpiece is a truly impressive creation, far more so than the penny-dreadful espionage plotline involving plans to sabotage the mid-Atlantic airport. Among the scripters were future directors Curt Siodmak, Walter Reisch and Robert Stevenson, all of whom
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