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Freaks

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Freaks (1932)

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95 %
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Reviews Counted: 42

Fresh: 40

Rotten:2

Average Rating: 8.3/10

Consensus: Time has been kind to this horror legend: Freaks manages to frighten, shock, and even touch viewers in ways that contemporary viewers missed.

Runtime: 66 mins

Genre: Horror/Suspense

Synopsis: When released theatrically in 1932, FREAKS was met with near universal disgust by critics and audiences alike, lasting in theatres for only a short time in the states and banned in England. The... When released theatrically in 1932, FREAKS was met with near universal disgust by critics and audiences alike, lasting in theatres for only a short time in the states and banned in England. The film stars Harry Earles as Hans, a suave midget who belongs to the sideshow of a seedy circus and who makes the mistake of falling in love with the beautiful Cleopatra, one of the "normal" circus performers. Learning that Hans is about to inherit a fortune, Cleopatra agrees to marry Hans even though she abhors him, planning to steal his money and get rid of him. When the freaks of the circus, who keep a watchful eye on Cleopatra, discover her scheme, they plan to exact an unforgettable revenge. Far more unsettling than Browning's best known horror film, DRACULA, FREAKS has long been neglected due to its subject matter, even though it is a genuinely effective film. Gripping and often creepy, FREAKS manages to humanize its main performers, even looking at them with a sense of awe. By contrast, the "normal" performers in the film are largely hateful creatures who turn out to be much more repellant than their deformed colleagues. Both an excellent horror film and a unique look at the lives of sideshow performers, FREAKS is a chilling movie whose final ten minutes are some of the most harrowing in all of cinema. [More]

Starring: Wallace Ford, Olga Baclanova, Leila Hyams, Roscoe Ates

Starring: Wallace Ford, Olga Baclanova, Leila Hyams, Roscoe Ates, Henry Victor, Daisy Earles, Harry Earles, Rose Dione, Daisy Hilton

Director: Tod Browning

Director: Tod Browning
Screenwriter: Willis Goldbeck, Leon Gordon, Edgar Allan Woolf, Al Boasberg
Producer: Tod Browning

[See More Credits]

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Release:

Aug 10, 2004

No Details Exist
 
 

Reviews for Freaks

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1 - 20 (sorted by date)
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Full Review Source: Variety | comment Comment
03/26/09
Variety
Top Critic Icon Top Critic

Director Tod Browning, one of the few truly individual directors in the U. S., is a specialist in horror.

Full Review Source: TIME Magazine | comment Comment
10/07/08
TIME Magazine
Top Critic Icon Top Critic

To the horror movie, a genre he helped create, he brought a taste for Victorian melodrama and an understanding, which he must have gained in the circus, for the isolated lives of weird and deformed outsiders.

Full Review Source: Observer [UK] | comment Comment
09/24/07
Philip French
Observer [UK]

Freaks is one of Browning's more consistently fine films, a landmark still worth seeing.

Full Review Source: TV Guide's Movie Guide | comment Comment
09/24/07
TV Guide's Movie Guide
Top Critic Icon Top Critic

If the heart of the horror movie is the annihilating Other, the Other has never appeared with more vividness, teasing sympathy, and terror than in this 1932 film by Tod Browning.

Full Review Source: Chicago Reader | comment Comment
09/24/07
Dave Kehr
Chicago Reader
Top Critic Icon Top Critic

A masterpiece.

Full Review Source: Channel 4 Film | comment Comment
09/24/07
Channel 4 Film
Top Critic Icon Top Critic

Absolutely spine chilling Tod Browning classic horror film. "We will make you one of us." Yike!

comment Comment
12/23/06
Steve Crum
Dispatch-Tribune Newspapers

Metro-Goldwyn-Mayer definitely has on its hands a picture that is out of the ordinary.

Full Review Source: New York Times | comment Comment
08/08/06
New York Times
Top Critic Icon Top Critic

The movie's influences can be found in nearly every conceivable corner of modern film.

Full Review Source: Arizona Daily Star | comment Comment
04/07/06
Phil Villarreal
Arizona Daily Star

...drills into our hindbrain and jolts our atavistic response to the not-normal, then forces us to confront our prejudices and feel something -- revulsion, compassion, or surprise at the realization that those aren't mutually exclusive responses.

Full Review Source: DVDJournal.com | comment Comment
04/04/06
Mark Bourne
DVDJournal.com

It has now achieved deserved recognition as a masterpiece.

Full Review Source: Time Out | comment Comment
01/26/06
Geoff Andrew
Time Out

No review available.

comment Comment
11/01/05
Cole Smithey
ColeSmithey.com

No review available.

comment Comment
07/18/05
Emanuel Levy
EmanuelLevy.Com

Unclassifiable odd masterpiece.

Full Review Source: Empire Magazine | comment Comment
04/06/05
Kim Newman
Empire Magazine

No review available.

comment Comment
02/25/05
Robin Clifford
Reeling Reviews

It's part of the film's brilliance that the lines between normal and abnormal, us and them, and even morality and immorality, are constantly blurred and reversed...

Full Review Source: Filmjourney | comment Comment
12/01/04
Doug Cummings
Filmjourney

Ainda que Browning martele sem a menor sutileza sua mensagem ao longo de toda a projeção, o filme continua a impressionar graças ao seu elenco atípico e ao incômodo ato final.

comment Comment
11/17/04
Pablo Villaca
Cinema em Cena

...the movie was never meant to be a horror film; it was meant to be a character study and morality play.

Full Review Source: DVDTown.com | comment Comment
08/31/04
John J. Puccio
DVDTown.com

It's a truly amazing film, not so much horrific as it is funny, touching and extraordinary; you'd be hard-pressed to find another film like it.

Full Review Source: Combustible Celluloid | comment Comment
08/30/04
Jeffrey M. Anderson
Combustible Celluloid

Unforgettable.

Full Review Source: Reno Gazette-Journal | comment Comment
08/23/04
Mark Robison
Reno Gazette-Journal
 
 
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