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Freaks

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Freaks (1932)

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Reviews Counted:41

Fresh:39

Rotten:2

Average Rating:8.3/10

Consensus: Time has been kind to this horror legend: Freaks manages to frighten, shock, and even touch viewers in ways that contemporary viewers missed.

Runtime: 66 mins

Genre: Horror/Suspense

Synopsis: When released theatrically in 1932, FREAKS was met with near universal disgust by critics and audiences alike, lasting in theatres for only a short time in the states and banned in England. The... When released theatrically in 1932, FREAKS was met with near universal disgust by critics and audiences alike, lasting in theatres for only a short time in the states and banned in England. The film stars Harry Earles as Hans, a suave midget who belongs to the sideshow of a seedy circus and who makes the mistake of falling in love with the beautiful Cleopatra, one of the "normal" circus performers. Learning that Hans is about to inherit a fortune, Cleopatra agrees to marry Hans even though she abhors him, planning to steal his money and get rid of him. When the freaks of the circus, who keep a watchful eye on Cleopatra, discover her scheme, they plan to exact an unforgettable revenge. Far more unsettling than Browning's best known horror film, DRACULA, FREAKS has long been neglected due to its subject matter, even though it is a genuinely effective film. Gripping and often creepy, FREAKS manages to humanize its main performers, even looking at them with a sense of awe. By contrast, the "normal" performers in the film are largely hateful creatures who turn out to be much more repellant than their deformed colleagues. Both an excellent horror film and a unique look at the lives of sideshow performers, FREAKS is a chilling movie whose final ten minutes are some of the most harrowing in all of cinema. [More]

Starring: Wallace Ford, Olga Baclanova, Leila Hyams, Roscoe Ates

Starring: Wallace Ford, Olga Baclanova, Leila Hyams, Roscoe Ates, Henry Victor, Daisy Earles, Harry Earles, Rose Dione, Daisy Hilton

Director: Tod Browning

Director: Tod Browning
Screenwriter: Willis Goldbeck, Leon Gordon, Edgar Allan Woolf, Al Boasberg
Producer: Tod Browning

[See More Credits]

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Release:

Aug 10, 2004

No Details Exist
 
 

Reviews for Freaks

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1 - 20 (sorted by rotten rating)
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N/R

Click to read the article

Full Review Source: Variety | comment Comment
03/26/09
Variety
N/R

Click to read the article

Full Review Source: Journal and Courier (Lafayette, IN) | comment Comment
08/13/04
Bob Bloom
Bob Bloom
Journal and Courier (Lafayette, IN)

pretty pioneering for 1932, but modern desensitization to such things (hell, we have Paris Hilton on TV) mutes the freak-out effect almost completely

Full Review Source: Filmcritic.com | comment 3 Comments
08/14/04
Christopher Null
Christopher Null
Filmcritic.com

Freaks is worth a look for those with interested in the history of exploitation cinema or the trash/punk aesthetic of the likes of John Waters, but others will probably find it unpleasant and heavy going.

Full Review Source: Eye for Film | comment 1 Comment
08/16/01
Keith H. Brown
Keith H. Brown
Eye for Film

Director Tod Browning, one of the few truly individual directors in the U. S., is a specialist in horror.

Full Review Source: TIME Magazine | comment Comment
10/07/08
TIME Magazine

A masterpiece.

Full Review Source: Channel 4 Film | comment Comment
09/24/07
Channel 4 Film

Freaks is one of Browning's more consistently fine films, a landmark still worth seeing.

Full Review Source: TV Guide's Movie Guide | comment Comment
09/24/07
TV Guide's Movie Guide

Metro-Goldwyn-Mayer definitely has on its hands a picture that is out of the ordinary.

Full Review Source: New York Times | comment Comment
08/08/06
New York Times

No review available.

comment Comment
11/01/05
Cole Smithey
Cole Smithey
ColeSmithey.com

No review available.

comment Comment
02/27/04
Daniel M. Kimmel
Daniel M. Kimmel
Worcester Telegram & Gazette

If the heart of the horror movie is the annihilating Other, the Other has never appeared with more vividness, teasing sympathy, and terror than in this 1932 film by Tod Browning.

Full Review Source: Chicago Reader | comment Comment
09/24/07
Dave Kehr
Dave Kehr
Chicago Reader
Top Critic Icon Top Critic

No review available.

comment Comment
07/26/02
David Poland
David Poland
Hot Button

... Browning made the normal people the grotesque ones, showing how ugly they were because of their intolerance.

Full Review Source: Ozus' World Movie Reviews | comment Comment
01/01/00
Dennis Schwartz
Dennis Schwartz
Ozus' World Movie Reviews

It's part of the film's brilliance that the lines between normal and abnormal, us and them, and even morality and immorality, are constantly blurred and reversed...

Full Review Source: Filmjourney | comment Comment
12/01/04
Doug Cummings
Doug Cummings
Filmjourney

Browning uses the film’s famous “Wedding Feast” sequence and its rhythmic use of montage to fantastically blur the lines between the normal and the abnormal.

Full Review Source: Slant Magazine | comment Comment
10/29/03
Ed Gonzalez
Ed Gonzalez
Slant Magazine

No review available.

comment Comment
07/18/05
Emanuel Levy
Emanuel Levy
EmanuelLevy.Com

It has now achieved deserved recognition as a masterpiece.

Full Review Source: Time Out | comment Comment
01/26/06
Geoff Andrew
Geoff Andrew
Time Out

Fascinating, repulsive, and oddly touching

Full Review Source: Q Network Film Desk | comment Comment
02/27/01
James Kendrick
James Kendrick
Q Network Film Desk

one of the weirdest dramas ever put on screen

comment Comment
07/29/02
James Sanford
James Sanford
Kalamazoo Gazette

It's a cinematic slap in the face that'll leave you reeling with shock, surprise and maybe even delight. They certainly don't make them like this anymore.

Full Review Source: BBC | comment Comment
09/17/02
Jamie Russell
Jamie Russell
BBC
 
 
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