An unpleasant, strident film marred further by unpleasant, strident performances.
Freedomland (2005)
Tomatometer
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Reviews Counted:146
Fresh:34
Rotten:112
Average Rating:4.6/10
Consensus: Poorly directed and overacted, Freedomland attempts to address sensitive race and class issues but its overzealousness misses the mark.
Rated: R [See Full Rating] for language and some violent content.
Runtime: 1 hr 53 mins
Genre: Dramas
Theatrical Release:Feb 17, 2006 Wide
Box Office: $12,260,586
Synopsis: Richard Price's novel FREEDOMLAND is brought to life in this 2006 adaptation. A carjacking-turned-kidnapping provides the set-up for a complex story of racial and class divide, as black detective... Richard Price's novel FREEDOMLAND is brought to life in this 2006 adaptation. A carjacking-turned-kidnapping provides the set-up for a complex story of racial and class divide, as black detective Lorenzo Council (Samuel L. Jackson) attempts to uncover the truth in victim Brenda Martin's story. Bleeding and dazed in an inner city ER, Brenda (Julianne Moore) explains that on her way home from work in the projects of fictional Dempsey, New Jersey, a black man assaulted her and stole her car. Matters are intensified when it's revealed that her 4-year-old son was asleep in the backseat. Novelist Price (CLOCKERS), who also wrote the screenplay, has never shied away from the blunt realities and moral ambiguities of the contemporary urban experience. Though Price's vision is often unrelentingly bleak, and his characters are far from saintly , there's a weary hopefulness that birddogs them throughout. Stars Jackson and Moore turn in performances as incendiary as the film's subject, and the excellent supporting cast (Edie Falco and Anthony Mackie, among them) tackles these complex characters with both nuance and fire. Director Joe Roth (CHRISTMAS WITH THE KRANKS) is given the monumental task of bringing Price's epic to the screen and his visual approach works well--all cinematic chiaroscuro and icy hues. Still, Price's themes of racial and class tension are rough, murky waters and require both a bold vision and a deft touch. As much as Roth is clearly passionate about the task at hand--setting an emotional fever pitch from the word go--the hopeful resolution he desires is not so easily attained, if attainable at all. FREEDOMLAND is a tough one, and although flawed, in the end, it's an emotionally complex, politically provocative film worth viewing. [More]
Starring: Julianne Moore, Samuel L. Jackson, Edie Falco, William Forsythe
Starring: Julianne Moore, Samuel L. Jackson, Edie Falco, William Forsythe, Ron Eldard, Anthony Mackie, Aunjanue Ellis, Latanya Richardson, Clark Peters, Peter Friedman, Dominick Lombardozzi, Philip Bosco
Director: Joe Roth
Director: Joe Roth
Screenwriter: Richard Price
Producer: Scott Rudin
Composer: James Newton Howard
Studio: Sony Pictures Entertainment
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Reviews for Freedomland
Samuel L. Jackson, Julianne Moore and Edie Falco deliver the grand-slam performances largely missing from this year's Oscar lineup.
Like most Price movies, it's challenging, engaging and free of the usual thriller cliches.
Shady stereotypes, conventional images and a surplus of dangling tangents stall the action.
Somehow "Freedomland" manages to balance issues of drug abuse, racism, missing children, loneliness and activism without becoming lost.
...a rare instance of big-budget adult drama in a business that seems about ready to give up on such things entirely.
This film just can't escape the feeling that it's loitering in an emergency zone.
A compelling, beautifully written and impossible-to-put-down book has been turned into a mediocre film that seems self-important and listless.
Both a solemn search for a dead child and a violent race riot are scored with celestial keyboard washes and choral harmonies intended to imbue the scenes with Significance.
Bungled just enough to make Freedomland a disappointing glimpse at what could have been.
The thing that makes Freedomland riveting is the way in which its tale of human tragedy unfolds.
It tries hard and means well. And I couldn't hardly wait for it to end. Freedomland falls short as entertainment.
Freedomland is sloppy; plot points are introduced, then left dangling; characters who are involved throughout most of the feature simply disappear ...
Freedomland is an overblown drama that leads nowhere, despite its fervent attempts at hard-hitting social commentary.
Price's bustling script and the actors provide enough drama to overcome the terrible direction by Joe Roth.
For fans of Price's novel, sitting through Roth's incompetent big-screen blow-out feels like watching an old friend get kicked to death by a pack of drooling imbeciles.
In short, an overwhelmingly joyless movie consumed with its own sense of importance.
This mixed-up, self-important thriller is adapted by Richard Price from his own novel and wastes a talented cast.
The uncommon flavor and unconventional rhythms of Price's writing make Freedomland compelling.
The realities of the story are like those of real life. They're complicated. Pardon the pun, but nothing is ever so black and white.
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