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Freedomland (2005)
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Reviews Counted:146
Fresh:34
Rotten:112
Average Rating:4.6/10
Consensus: Poorly directed and overacted, Freedomland attempts to address sensitive race and class issues but its overzealousness misses the mark.
Rated: R [See Full Rating] for language and some violent content.
Runtime: 1 hr 53 mins
Genre: Dramas
Theatrical Release:Feb 17, 2006 Wide
Box Office: $12,260,586
Synopsis: Richard Price's novel FREEDOMLAND is brought to life in this 2006 adaptation. A carjacking-turned-kidnapping provides the set-up for a complex story of racial and class divide, as black detective... Richard Price's novel FREEDOMLAND is brought to life in this 2006 adaptation. A carjacking-turned-kidnapping provides the set-up for a complex story of racial and class divide, as black detective Lorenzo Council (Samuel L. Jackson) attempts to uncover the truth in victim Brenda Martin's story. Bleeding and dazed in an inner city ER, Brenda (Julianne Moore) explains that on her way home from work in the projects of fictional Dempsey, New Jersey, a black man assaulted her and stole her car. Matters are intensified when it's revealed that her 4-year-old son was asleep in the backseat. Novelist Price (CLOCKERS), who also wrote the screenplay, has never shied away from the blunt realities and moral ambiguities of the contemporary urban experience. Though Price's vision is often unrelentingly bleak, and his characters are far from saintly , there's a weary hopefulness that birddogs them throughout. Stars Jackson and Moore turn in performances as incendiary as the film's subject, and the excellent supporting cast (Edie Falco and Anthony Mackie, among them) tackles these complex characters with both nuance and fire. Director Joe Roth (CHRISTMAS WITH THE KRANKS) is given the monumental task of bringing Price's epic to the screen and his visual approach works well--all cinematic chiaroscuro and icy hues. Still, Price's themes of racial and class tension are rough, murky waters and require both a bold vision and a deft touch. As much as Roth is clearly passionate about the task at hand--setting an emotional fever pitch from the word go--the hopeful resolution he desires is not so easily attained, if attainable at all. FREEDOMLAND is a tough one, and although flawed, in the end, it's an emotionally complex, politically provocative film worth viewing. [More]
Starring: Julianne Moore, Samuel L. Jackson, Edie Falco, William Forsythe
Starring: Julianne Moore, Samuel L. Jackson, Edie Falco, William Forsythe, Ron Eldard, Anthony Mackie, Aunjanue Ellis, Latanya Richardson, Clark Peters, Peter Friedman, Dominick Lombardozzi, Philip Bosco
Director: Joe Roth
Director: Joe Roth
Screenwriter: Richard Price
Producer: Scott Rudin
Composer: James Newton Howard
Studio: Sony Pictures Entertainment
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Reviews for Freedomland
It's a big lumpy mess of a movie, with a screaming, crying and babbling Moore at the center providing the unintentional laughs.
It tries hard and means well. And I couldn't hardly wait for it to end. Freedomland falls short as entertainment.
earnest, ponderous and dull, except for those interludes when it's being dull and witless
Roth takes hackneyed situations and clichéd dialogue and makes them play worse on the screen, even managing to get a bad performance from Moore -- no mean feat.
What could have been an unusually smart police procedural becomes a sprawling, overwrought melodrama that itself morphs into a sort of spiritual romance.
In Roth's hands, Freedomland is a civics lesson disguised as a police drama, shrouded in a mystery that's not very mysterious to anyone who has seen the trailer.
Freedomland is sloppy; plot points are introduced, then left dangling; characters who are involved throughout most of the feature simply disappear ...
Freedomland, a movie with a lot on its mind and too much on its plate.
An unpleasant, strident film marred further by unpleasant, strident performances.
Brimming with high ambitions but disjointed and ultimately unsatisfying.
Without the fanfare of award-bating media hype to act as a blanket, Freedomland is fully revealed to be the anemic, idiotically observed film that it is.
The film is filled with good performances, though most of them are frittered away by director Joe Roth, who can never find a focus for the story.
Freedomland, written by Richard Price from his novel of the same name, directed by Joe Roth and produced by Scott Rudin, purports to be a social study of racial tensions straining under the weight of a highly publicized, hot-button tragedy.
Alternately histrionic and muddled, the racially charged drama Freedomland never resonates as it should.
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