Freedomland has an extremely strong opening sequence but its intriguing premise is quickly squandered in favour of overwritten speeches and a series of boring, nonsensical scenes that seem to go nowhere.
Freedomland (2005)
Tomatometer
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Reviews Counted:146
Fresh:34
Rotten:112
Average Rating:4.6/10
Consensus: Poorly directed and overacted, Freedomland attempts to address sensitive race and class issues but its overzealousness misses the mark.
Rated: R [See Full Rating] for language and some violent content.
Runtime: 1 hr 53 mins
Genre: Dramas
Theatrical Release:Feb 17, 2006 Wide
Box Office: $12,260,586
Synopsis: Richard Price's novel FREEDOMLAND is brought to life in this 2006 adaptation. A carjacking-turned-kidnapping provides the set-up for a complex story of racial and class divide, as black detective... Richard Price's novel FREEDOMLAND is brought to life in this 2006 adaptation. A carjacking-turned-kidnapping provides the set-up for a complex story of racial and class divide, as black detective Lorenzo Council (Samuel L. Jackson) attempts to uncover the truth in victim Brenda Martin's story. Bleeding and dazed in an inner city ER, Brenda (Julianne Moore) explains that on her way home from work in the projects of fictional Dempsey, New Jersey, a black man assaulted her and stole her car. Matters are intensified when it's revealed that her 4-year-old son was asleep in the backseat. Novelist Price (CLOCKERS), who also wrote the screenplay, has never shied away from the blunt realities and moral ambiguities of the contemporary urban experience. Though Price's vision is often unrelentingly bleak, and his characters are far from saintly , there's a weary hopefulness that birddogs them throughout. Stars Jackson and Moore turn in performances as incendiary as the film's subject, and the excellent supporting cast (Edie Falco and Anthony Mackie, among them) tackles these complex characters with both nuance and fire. Director Joe Roth (CHRISTMAS WITH THE KRANKS) is given the monumental task of bringing Price's epic to the screen and his visual approach works well--all cinematic chiaroscuro and icy hues. Still, Price's themes of racial and class tension are rough, murky waters and require both a bold vision and a deft touch. As much as Roth is clearly passionate about the task at hand--setting an emotional fever pitch from the word go--the hopeful resolution he desires is not so easily attained, if attainable at all. FREEDOMLAND is a tough one, and although flawed, in the end, it's an emotionally complex, politically provocative film worth viewing. [More]
Starring: Julianne Moore, Samuel L. Jackson, Edie Falco, William Forsythe
Starring: Julianne Moore, Samuel L. Jackson, Edie Falco, William Forsythe, Ron Eldard, Anthony Mackie, Aunjanue Ellis, Latanya Richardson, Clark Peters, Peter Friedman, Dominick Lombardozzi, Philip Bosco
Director: Joe Roth
Director: Joe Roth
Screenwriter: Richard Price
Producer: Scott Rudin
Composer: James Newton Howard
Studio: Sony Pictures Entertainment
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Reviews for Freedomland
[The] thematic material is so far beyond [director Joe] Roth's reach, you feel that even offering him a stepladder wouldn't help.
This movie manages the unfortunate feat of taking the luminous Julianne Moore and miscasting her badly.
This film just can't escape the feeling that it's loitering in an emergency zone.
...a rare instance of big-budget adult drama in a business that seems about ready to give up on such things entirely.
Freedomland aspires to the topical and social relevance of a Spike Lee film, but Joe Roth is not up to the challenge.
Roth takes hackneyed situations and clichéd dialogue and makes them play worse on the screen, even managing to get a bad performance from Moore -- no mean feat.
Operates not from the vantage of social critique but of utter evasion: the sacralization of the filmmakers' own ignorance.
Considering the fact that remakes are all the rage these days, maybe someone will get the bright idea to redo Freedomland and give it the treatment that it deserves.
Unfortunately, what the film is emblematic of is the Hollywood's utter detachment from the real world and actual current events.
Freedomland is sloppy; plot points are introduced, then left dangling; characters who are involved throughout most of the feature simply disappear ...
What begins as a familiar kind of media-circus melodrama ends up being something much more complex and tangled.
Moore's excruciating performance will give pause to anyone who thinks 'the method' isn't without its madness.
Price's bustling script and the actors provide enough drama to overcome the terrible direction by Joe Roth.
A dour, humorless, clunky, reductive, insulting diatribe on race relations, masquerading as a kidnap melodrama. Or maybe it's the other way around.
In the end, the good things about Freedomland become obscured in the film's desire to be altogether too much.
Somehow "Freedomland" manages to balance issues of drug abuse, racism, missing children, loneliness and activism without becoming lost.
For fans of Price's novel, sitting through Roth's incompetent big-screen blow-out feels like watching an old friend get kicked to death by a pack of drooling imbeciles.
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