Too bad the movie sees race politics as a mere plot device. Moore sobs incessantly and Jackson angrily shouts things like Kiss my black ass! as it all descends into cop cliche.
Freedomland (2005)
Tomatometer
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Reviews Counted:146
Fresh:34
Rotten:112
Average Rating:4.6/10
Consensus: Poorly directed and overacted, Freedomland attempts to address sensitive race and class issues but its overzealousness misses the mark.
Rated: R [See Full Rating] for language and some violent content.
Runtime: 1 hr 53 mins
Genre: Dramas
Theatrical Release:Feb 17, 2006 Wide
Box Office: $12,260,586
Synopsis: Richard Price's novel FREEDOMLAND is brought to life in this 2006 adaptation. A carjacking-turned-kidnapping provides the set-up for a complex story of racial and class divide, as black detective... Richard Price's novel FREEDOMLAND is brought to life in this 2006 adaptation. A carjacking-turned-kidnapping provides the set-up for a complex story of racial and class divide, as black detective Lorenzo Council (Samuel L. Jackson) attempts to uncover the truth in victim Brenda Martin's story. Bleeding and dazed in an inner city ER, Brenda (Julianne Moore) explains that on her way home from work in the projects of fictional Dempsey, New Jersey, a black man assaulted her and stole her car. Matters are intensified when it's revealed that her 4-year-old son was asleep in the backseat. Novelist Price (CLOCKERS), who also wrote the screenplay, has never shied away from the blunt realities and moral ambiguities of the contemporary urban experience. Though Price's vision is often unrelentingly bleak, and his characters are far from saintly , there's a weary hopefulness that birddogs them throughout. Stars Jackson and Moore turn in performances as incendiary as the film's subject, and the excellent supporting cast (Edie Falco and Anthony Mackie, among them) tackles these complex characters with both nuance and fire. Director Joe Roth (CHRISTMAS WITH THE KRANKS) is given the monumental task of bringing Price's epic to the screen and his visual approach works well--all cinematic chiaroscuro and icy hues. Still, Price's themes of racial and class tension are rough, murky waters and require both a bold vision and a deft touch. As much as Roth is clearly passionate about the task at hand--setting an emotional fever pitch from the word go--the hopeful resolution he desires is not so easily attained, if attainable at all. FREEDOMLAND is a tough one, and although flawed, in the end, it's an emotionally complex, politically provocative film worth viewing. [More]
Starring: Julianne Moore, Samuel L. Jackson, Edie Falco, William Forsythe
Starring: Julianne Moore, Samuel L. Jackson, Edie Falco, William Forsythe, Ron Eldard, Anthony Mackie, Aunjanue Ellis, Latanya Richardson, Clark Peters, Peter Friedman, Dominick Lombardozzi, Philip Bosco
Director: Joe Roth
Director: Joe Roth
Screenwriter: Richard Price
Producer: Scott Rudin
Composer: James Newton Howard
Studio: Sony Pictures Entertainment
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Reviews for Freedomland
It tries hard and means well. And I couldn't hardly wait for it to end. Freedomland falls short as entertainment.
Situations that should have great emotional impact drag on into embarrassing shrillness; moments that are supposed to be heavy become leaden.
Freedomland is a garbled, ripped-from-the-headlines mess of Susan Smith meets the L.A. riots. If you're mad that I've spoiled the ending, than I won't further ruin your day by telling you what happens after you wind up a jack-in-the-box...
What, a white woman can't take an innocent drive through the ghetto without arousing suspicion? What's this world coming to?
Roth's ham-fisted approach here suggests that he is trying to stage his own version of Clint Eastwood's overrated, Oscar-nominated Mystic River.
The 'truth may be hiding where no one dares to look', but you'd be better off if you didn't even bother trying to find it here.
Like too many recent movies, Freedomland doesn't know how or when to end, but it has some emotional impact, and it's not shy about dealing with race in volatile ways.
Freedomland entertains with smarts, reminding us that the resolution of one mystery doesn't necessarily snuff out the fuse it ignited.
Therein lies the difference with this taut film; it acts like a conventional thriller, but becomes much more complex as it unravels its complicated, uncomfortable truth.
The complication in Freedomland arises out of Brenda's hysteria, which is so extreme that we doubt her story even before we've bought into it, and from the movie's dogged, booby-trapped demonstration of the sins of racism.
Freedomland is an overblown drama that leads nowhere, despite its fervent attempts at hard-hitting social commentary.
First-rate actors bail out second-rate directors all the time, and Freedomland serves as the latest example.
The film doesn't lose its way emotionally; it's full of great monologues about loss and responsibility.
Freedomland, an overblown urban crime drama that should be a lot better than it is.
Freedomland sacrifices pace and emotional momentum in favor of long, stagy sequences in which the principals recite lengthy speeches.
`Freedomland' thinks it is igniting a powder keg of class and racial issues, but the movie relies on a faulty fuse - namely, director Joe Roth.
Freedomland features something I never expected to see: a bad performance by Julianne Moore.
a mishmash of histrionics and badly staged confrontations... Roth...botches a story that a director like Spike Lee or Martin Scorsese might have turned into a provocative shocker.
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| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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