Effective thriller.
Freeze Me (2000)
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Reviews Counted: 11
Fresh: 6
Rotten:5
Average Rating: 5.7/10
Theatrical Release:Jun 14, 2002 Limited
Synopsis: Harumi Inoue stars in Japanese director Takashi Ishii's bloody revenge thriller as Chihiro, a young woman who is trying to make a new life for herself in Tokyo. She has an office job and a fiance... Harumi Inoue stars in Japanese director Takashi Ishii's bloody revenge thriller as Chihiro, a young woman who is trying to make a new life for herself in Tokyo. She has an office job and a fiance (Nogami, played by Shunsuke Matsuoka), but her life changes when the past she is running away from refuses to let her go. Five years earlier, she was raped by a trio of men who videotaped their cruelty. Too afraid to report the incident, Chihiro instead left her town for the big city. But the three men have found her, returning to continue where they'd left off. When Nogami finds out about the rape, he walks out on Chihiro, leaving her to fend for herself. What follows is both brutal and mesmerizing, gory and unforgettable. One of the underlying themes in Ishii's psychological thriller is water. The film opens with a shot of snow falling over a shivering young woman. All the characters are constantly showering. While Chihiro battles her first attacker, she strikes him with a water bottle, and in later fights thunderstorms can be heard outside. And then, of course, there is Chihiro's creative use of freezers in her apartment. Ishii's film is difficult to watch but ultimately gripping and fascinating; Inoue's performance is brave and beautiful, dirty and disturbing. [More]
Starring: Shingo Tsurumi, Shunsuke Matsuoka, Harumi Inoue, Naoto Takenaka
Starring: Shingo Tsurumi, Shunsuke Matsuoka, Harumi Inoue, Naoto Takenaka, Kazuki Kitamura
Director: Takashi Ishii
Director: Takashi Ishii
Screenwriter: Takashi Ishii
Producer: Takashi Ishii, Nobuaki Nagae, Taketo Niitsu
Composer: Goro Yasukawa
Studio: Media Blasters Releasing
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Reviews for Freeze Me
It’s hard to be fully supportive of any film that traces its cinematic lineage back to the famously loathsome cult classic I Spit On Your Grave
characters behave in a rather unbelievable fashion in order to further the contrivances of the plot.
About a manga-like heroine who fights back at her abusers, it's energetic and satisfying if not deep and psychological.
To show these characters in the act and give them no feelings of remorse -- and to cut repeatedly to the flashback of the original rape -- is overkill to the highest degree.
There is no psychology here, and no real narrative logic -- just a series of carefully choreographed atrocities, which become strangely impersonal and abstract.
A suffocating rape-payback horror show that hinges on the subgenre's most enabling victim ... and an ebullient affection for industrial-model meat freezers.
It downplays the initial assault, referring to it only in fragmented flashbacks, while offering a cogent critique of ongoing attitudes about rape and its victims, particularly in Japan.
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