This is one of Hitchcock's best and least appreciated films, with the Master getting a creative boost after a minor slump.
Frenzy (1972)
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Reviews Counted:30
Fresh:26
Rotten:4
Average Rating:7.3/10
Runtime: 1 hr 56 mins
Genre: Dramas
Synopsis: FRENZY was Alfred Hitchcock's next-to-last film--and the first film he'd made in England in 20 years. It was based on an Arthur La Bern novel and focuses on many of the same motifs that Hitchcock... FRENZY was Alfred Hitchcock's next-to-last film--and the first film he'd made in England in 20 years. It was based on an Arthur La Bern novel and focuses on many of the same motifs that Hitchcock had obsessively examined throughout his life's work: the wrong man theme, the doubling theme (in which one person acts out the repressed violence of another), and the general public's thirst for sex and violence. Hitchcock had made films featuring Jack the Ripper-type killers before, including THE LODGER in 1926, a silent movie about a series of murders in London and a mysterious man who appears to be guilty of the crimes. In FRENZY, Hitchcock goes mod with this blackly comic story about a sex criminal--the Necktie Killer--plaguing post-Carnaby London. An innocent man who is suspected by police as the murderer must fight to nab the real perpetrator and clear his name. Though lesser known, FRENZY marked a striking return to form for the famed director. It was also his first R-rated picture. Anthony Shaffer's script is excellent, and Jon Finch brings distinctive qualities to his role as the classic Hitchcock man-accused hero. [More]
Starring: Jon Finch, Alec McCowen, Barry Foster, Anna Massey
Starring: Jon Finch, Alec McCowen, Barry Foster, Anna Massey, Barbara Leigh-Hunt, Vivien Merchant, Billie Whitelaw, Clive Swift
Director: Alfred Hitchcock
Director: Alfred Hitchcock
Screenwriter: Anthony Shaffer
Producer: Alfred Hitchcock
Composer: Ron Goodwin
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Reviews for Frenzy
Rather than classic Hitchcock, Frenzy feels more like a lesser director's cookie-cutter 'Hitchcockian' knock-off.
You can never be quite sure when you're going to start a terrifying new descent or take a sudden turn to the left or right. The agony is exquisite.
This is the kind of thriller Hitchcock was making in the 1940s, filled with macabre details, incongruous humor, and the desperation of a man convicted of a crime he didn't commit.
an often gruesome and violent, but nonetheless engrossing, mystery thriller mixed with moments of delicious black comedy
Alfred Hitchcock may be the Master of Suspense, but that doesn't make him incapable of making a lousy film.
Its violence and gore might seem tame in the age of Bad Boys II, but Hitchcock ratchets up the creepiness.
One of Hitchcock's final movies is also one of his goriest -- his first R-rated feature -- and most dryly funny.
Even though this is a quality film, for the first time, I came away from a Hitchcock movie with a bad taste in my mouth.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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