Once you adjust to the film's deliberate pace and literary rhythms, there are innumerable visual and emotional pleasures to be had.
Fugitive Pieces (2008)
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Reviews Counted:68
Fresh:45
Rotten:23
Average Rating:6.1/10
Consensus: Though the retelling is a bit too subtle, the moving story and solid performances lift Fugitive Pieces beyond standard holocaust tales.
Theatrical Release:May 2, 2008 Limited
Box Office: $449,048
Synopsis: Adapted from Anne Michael's acclaimed prose-poem novel, FUGITIVE PIECES is a harrowing and haunting tale of Holocaust survival and personal awakening. The film opens in Poland, as young Jakob Berr... Adapted from Anne Michael's acclaimed prose-poem novel, FUGITIVE PIECES is a harrowing and haunting tale of Holocaust survival and personal awakening. The film opens in Poland, as young Jakob Berr (Robbie Kay) is hidden away just before German soldiers storm into his Jewish family's home. After watching his parents murdered and his sister dragged away to an uncertain fate, Jakob flees and hides in the woods. He is discovered by a kindly Greek archaeologist, Athos (Rade Sherbedgia), who smuggles the sickly Jakob back to his own island home and hides him for the rest of the war. Years later, having moved to Canada, the grownup Jakob (Stephen Dillane) has become a writer struggling to articulate his childhood horrors, haunted by the mystery of his sister's fate. But after his troubled emotions lead to the breakup of his marriage to the free-spirited Alex (Rosamund Pike), Jakob must exorcise the ghosts of his past if he is to close a traumatic chapter of his life and find beauty in the present. Director Jeremy Podeswa (THE FIVE SENSES) ably shifts between the different stages of Jakob's life, showing how grief can continue to influence one's actions--or inaction--in the years that follow a tragedy. Handsomely shot and thoughtfully acted, FUGITIVE PIECES is a touching testimony to the power of remembrance and redemption. [More]
Starring: Stephen Dillane, Rade Sherbedgia, Rosamund Pike, Ayelet Zurer
Starring: Stephen Dillane, Rade Sherbedgia, Rosamund Pike, Ayelet Zurer, Robbie Kay, Ed Stoppard, Rachelle Lefevre, Nina Dobrev
Director: Jeremy Podeswa
Director: Jeremy Podeswa
Screenwriter: Jeremy Podeswa
Producer: Robert Lantos
Composer: Nikos Kypourgos
Studio: Samuel Goldwyn Films
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Reviews for Fugitive Pieces
Anne Michael's complex, poetic novel is here adapted into a stolid, somewhat po-faced film, but one that still manages to tease some affecting drama out of its scholarly premise.
Fugitive Pieces reduces the Holocaust and its aftermath to a cosy soap opera.
Sensitively adapted from the achingly sad, luminous novel by Anne Michaels, Fugitive Pieces is a story of unspeakable loss and how it eats at the souls of survivors.
...a drama about good people struggling to make the right choices in life.
Image, like identity, is always coming into focus throughout Fugitive Pieces.
Though a tad pretentious and structurally problematic, Podeswa's tale of a Holocaust survivor is ambitious and occasionally lyrical and powerful, adding another honorable panel to the growing body of works on the catastrophic phenomenon.
A poignant and heart-affecting screen adaptation of a 1996 novel about suffering and the redemptive power of love.
A valuable addition to the treasure-trove of Holocaust films--this one about a Greek gentile who saves a Polish Jew.
Tasteful, unremarkable art-house fare, rescued from complete irrelevance by Stephen Dillane's bottled-up performance as a writer scarred by the Holocaust.
Given the source novel, Podeswa's attempt to adapt Fugitive Pieces is admirable in itself. Yet despite an enthusiastic cast, this fails to transport you in the same way. Tying itself in narrative knots, the end result is stilted.
A sumptuous looking film that flits seamlessly between wartime Europe and '70s Canada.
The great Serbian actor Rade Serbedzija gives Fugitive Pieces its heart.
mia ap' tis pio entimes, katharies ki eilikrineis synaisthimatikes istories poy mporeis na petyheis sto pani, i opoia an hanei kapoy, einai sti dynatotita tis na sikosei to baros ton filodoksion tis
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