This isn't improvisation, but rather an adroitly achieved randomness -- the perfect syntax for a generation-defining work about a generation marked by its very lack of definition.
Funny Ha Ha (2005)
Tomatometer
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Reviews Counted:37
Fresh:33
Rotten:4
Average Rating:7.1/10
Consensus: This modest, unpretentious character study astutely captures the emotional states of the 20-something slacker.
Runtime: 90 mins
Genre: Comedies
Theatrical Release:Apr 29, 2005 Limited
Synopsis: Shot in 16mm, FUNNY HA HA examines life after college in an understated and moving way. Written, directed, and co-starring Andrew Bujalski, the film features impressively natural performances led... Shot in 16mm, FUNNY HA HA examines life after college in an understated and moving way. Written, directed, and co-starring Andrew Bujalski, the film features impressively natural performances led by newcomer Kate Dollenmayer (a friend of Bujalski's from film school, and an animator for WAKING LIFE), whose commanding yet familiar presence may lead viewers to feel she's someone they've known for years. In fact everything about FUNNY HA HA feels familiar, from the characters to the dialogue. While reminiscent of early Richard Linklater work like SLACKER due to its slow pace and focus on human interaction, the conversations in FUNNY HA HA are less philosophical in theme, and more grounded in reality (awkward silences, stuttering, miscommunication and all). Focusing more on character than on plot, the film revolves loosely around Marnie (Dollenmayer), an attractive and intelligent young woman searching clumsily for some sense of purpose in what seems at times like an aimless life. Nearing 24 and recently unemployed, Marnie spends her days hanging out with friends she knew in college, trying out unsatisfying temp positions, and pining after an unavailable and unwilling love interest. Bujalski's script and the seemingly improvisational performances of his cast capture the pains, joys, and frustrations of everyday life. Like Marnie, FUNNY HA HA is consumed not so much by an outward angst, but rather the reluctantly accepted reality that life is not perfect. In exploring the themes of Marnie's life, it artfully shows that people aren't always good or bad, things aren't always black and white, boundaries are easily blurred, and timing is often off. The world of the film is one that many viewers should recognize--one in which tragedy, humor, sadness, and happiness all coexist. [More]
Starring: Andrew Bujalski, Kate Dollenmajer, Christian Rudder, Jennifer L. Schaper
Starring: Andrew Bujalski, Kate Dollenmajer, Christian Rudder, Jennifer L. Schaper, Mark Herlehy, Myles Paige, Marshall Lewy
Director: Andrew Bujalski
Director: Andrew Bujalski
Screenwriter: Andrew Bujalski
Producer: Ethan Vogt
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Reviews for Funny Ha Ha
A beautifully observant and wholly unpretentious film with roots more in Cassavetes than Sundance-style showbiz.
It raises so many little questions and offers so many quiet insights that one sitting isn't enough.
Like his heroes Mike Leigh and John Cassavetes, Bujalski has a knack for the genuine moment: using rudimentary lighting and a lively ensemble of nonprofessionals, he creates a convincing slacker landscape.
It oozes a palpable sense of miserable, soul-sapping post-collegiate torpor.
A smartly observed, unpretentious, and unconventional comedy of manners.
Each stammer, hesitation and nervous laugh reminds us of who we once were, still are or even hope to be.
Funny Ha Ha is a reality bite of a story that's as substantial as the Gummi Bears the befuddled characters eat.
A small, plain movie, shot in 16 millimeter in dull locations around Boston; but also, like its passive, quizzical heroine, it is unexpectedly seductive, and even, in its own stubborn, hesitant way, beautiful.
This thoroughly engaging little movie takes unexpected paths with nary a false step
Latest News for Funny Ha Ha
March 15, 2006:
SXSW: Short Reviews of "The King," "The OH in Ohio," "LOL," and "Maxed Out"
Check out some short reviews from Tim Ryan, currently at South by Southwest. More...
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