The calm, deadpan chronicling of what, one trusts, is an untypical rural Japanese family suggests a very black comedy. Slightly too long but hypnotically told, beautifully acted and not at all depressing.
Funuke domo, kanashimi no ai wo misero (2007)
Tomatometer
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Reviews Counted:11
Fresh:6
Rotten:5
Average Rating:5.2/10
Consensus: Twisted Japanese black comedy which is visually striking yet tonally bizarre.
Genre: Foreign Films
Starring: Eriko Sato, Masatoshi Nagase, Hiromi Nagasaku
Starring: Eriko Sato, Masatoshi Nagase, Hiromi Nagasaku
Director: Daihachi Yoshida
Director: Daihachi Yoshida
Reviews for Funuke domo, kanashimi no ai wo misero
This is uneven and not entirely satisfying but it's worth seeing for its flat out weirdness and the superb performances from Sato and Nagasaku.
Seduction, persecution, prostitution, suicide and uneasy laughter follow.
Crisply shot with visual flourishes punctuating the unfussy direction, despite a lack of carnage, this is an accomplished and impressive depiction of some absolute barnpots. Those who like their laughs lightly flavoured with ash should check it out.
Sibling rivalry is the source of violence and creativity in amusing Japanese dramedy Funuke.
With Kyomi’s manga-drawing skills a key part of the scenario, the visual approach is sometimes too fluffily decorative to let the emotions deliver in full. Eminently likeable nonetheless.
This dark comedy is more twisted (and twisty) than it first appears, but as with any family album, it is a few individual scenes that make it memorable rather than the whole, overlong package.
The film’s wacky ghoulishness holds your attention, but there’s not much more than that on offer. Despite a lot of manic effort, none of the actors makes an impression.
The idea of step-siblings thrown together in death is a good one: but this wacky, soapy treatment is odd, to say the least.
Tonally, it strikes a curious balance between black comedy and melodrama, but visually it’s a striking film.
| Tomatometer Percentage | Movie | Date |
|---|---|---|
| 90% 90% | The White Ribbon | 12/30 |
| 100% 100% | Daybreakers | 1/8 |
| | Leap Year | 1/8 |
| 83% 83% | Youth in Revolt | 1/8 |
| | The Book of Eli | 1/15 |
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