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Movies / On DVD / Fur: An Imaginary Portrait of Diane Arbus
Fur: An Imaginary Portrait of Diane Arbus

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Fur: An Imaginary Portrait of Diane Arbus (2006)

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Reviews Counted:108

Fresh:33

Rotten:75

Average Rating:4.9/10

Consensus: This portrait of a groundbreaking photographer lacks the daring of its subject.

Rated: R [See Full Rating] for graphic nudity, some sexuality and language.

Runtime: 2 hrs 2 mins

Genre: Dramas

Theatrical Release:Nov 10, 2006 Limited

Box Office: $148,913

Synopsis: Was Diane Arbus a brilliant innovator whose photographs captured the beauty in the most desperate of subjects? Or was she an exploiter of "freaks," shilling pictures of the deformed as a modern-day... Was Diane Arbus a brilliant innovator whose photographs captured the beauty in the most desperate of subjects? Or was she an exploiter of "freaks," shilling pictures of the deformed as a modern-day sideshow? Regardless of where one stands on her work, few can argue its impact on the art world. In FUR: AN IMAGINARY PORTRAIT OF DIANE ARBUS, director Steven Shainberg makes a bold first attempt at bringing the artist to the big screen. The film opens with Arbus (Nicole Kidman) living as a depressed housewife in a ritzy Park Avenue apartment. Assisting her husband Allen (Ty Burrell) in his photography studio, Arbus helps him shoot ads for women's magazines. One night, after spying her mysterious next door neighbor--a sharply dressed man with a hood over his face--Arbus decides to heed her husband's advice to step out and take some photos of her own. She climbs the stairs to her neighbor's apartment with the intention of taking his portrait, and there she meets Lionel (Robert Downey, Jr.). Lionel suffers from hypertrichosis, a disease that causes thick hair to grow over every inch of his body, including his face. He and Arbus strike up a flirtatious friendship, and he introduces her to the underworld of New York. They party with dwarves, dominatrixes, and circus performers--all future subjects of Arbus photographs. Arbus's marriage soon begins to fall apart, and her relationship with Lionel builds towards a traumatic, but transformative, end. In an unusual twist, screenwriter Erin Cressida Wilson has completely fabricated the character of Lionel, and his ensuing effect on Arbus. He is Wilson's fantastical idea of what might have spurred Arbus's metamorphosis from repressed housewife to daring documentarian of those living on the fringe. As the title states, this isn't a biopic--it's an "imaginary portrait," and while some might take exception to FUR's surreal spin on reality, others might find the unconventional film a fitting tribute to the always unconventional artist. [More]

Starring: Nicole Kidman, Robert Downey, Ty Burrell, Jane Alexander

Starring: Nicole Kidman, Robert Downey, Ty Burrell, Jane Alexander, Emily Bergl, Boris McGiver, Christina Rouner, Harris Yulin

Director: Steven Shainberg

Director: Steven Shainberg
Producer: William Pohlad, Laura Bickford, Bonnie Timmermann, Andrew Fierberg
Composer: Carter Burwell
Studio: New Line Cinema

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Release:

May 8, 2007

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Reviews for Fur: An Imaginary Portrait of Diane Arbus

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1 - 20 (sorted by comments)
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Fur is a nice-looking movie, Kidman a fine actress, but the metaphorical purpose of the hairy-guy thing is at once too obvious and insufficient in explaining Arbus' work.

Full Review Source: Philadelphia Daily News | comment 1 Comment
11/21/06
Gary Thompson
Gary Thompson
Philadelphia Daily News
N/R

Click to read the article

Full Review Source: Deseret News, Salt Lake City | comment Comment
12/30/06
Deseret News, Salt Lake City
N/R

Click to read the article

Full Review Source: culturevulture.net | comment Comment
12/30/06
culturevulture.net
N/R

Click to read the article

Full Review Source: St. Louis Post-Dispatch | comment Comment
12/30/06
St. Louis Post-Dispatch
N/R

Click to read the article

Full Review Source: Sydney Morning Herald | comment Comment
09/14/07
Sydney Morning Herald

Fur may not be entirely convincing, but it’s made with a conviction that deserves respect.

Full Review Source: New York Observer | comment Comment
11/08/06
Andrew Sarris
Andrew Sarris
New York Observer
Top Critic Icon Top Critic

"Fur: An Imaginary Portrait of Diane Arbus" points out in its title that the picture is mostly fictionalized, but in the opening prologue it states that Diane Arbus was one of America's most important artists. Why make that statement if you can't prove it

Full Review Source: Sympatico.ca | comment Comment
01/03/07
Angela Baldassarre
Angela Baldassarre
Sympatico.ca

Far-out touches and liberal application of metaphor are compensated for by intensity and two mesmerising performances.

Full Review Source: Empire Magazine | comment Comment
03/13/07
Angie Errigo
Angie Errigo
Empire Magazine

Purists will howl at the liberties Shainberg has taken with the facts, but there's a bravery to Fur, an uncompromising commitment to its narrow focus -- of one woman's creative birth -- that rhymes with Arbus's own artistic courage.

Full Review Source: Washington Post | comment Comment
11/16/06
Ann Hornaday
Ann Hornaday
Washington Post

If the filmmakers are telling us that Diane's artistic creativity was unleashed by the love of a good freak, then it's a shame. To turn a story so full of good intentions at the beginning into another movie about a woman who is liberated from the chains

Full Review Source: culturevulture.net | comment Comment
04/23/07
Beverly Berning
Beverly Berning
culturevulture.net

Kidman guides the audience through this saga of self-discovery with pliable reserve and a communicative face.

Full Review Source: eFilmCritic.com | comment Comment
11/09/06
Brian Orndorf
Brian Orndorf
eFilmCritic.com

Kidman's performance is her best to date.

Full Review Source: Film Journal International | comment Comment
12/01/06
Bruce Feld
Bruce Feld
Film Journal International

As much a spiritual sequel to Secretary as an Alice in Wonderland twist on Cocteau's Beauty and the Beast.

Full Review Source: Bryant Frazer's Deep Focus | comment Comment
11/09/06
Bryant Frazer
Bryant Frazer
Bryant Frazer's Deep Focus

doesn't necessarily bore but rather confounds

Full Review Source: Filmcritic.com | comment Comment
11/09/06
Chris Cabin
Chris Cabin
Filmcritic.com

Fur knows how to get under our skin, and it also knows something Arbus demonstrated in her unsettling work: Beauty comes from unexpected places.

Full Review Source: St. Paul Pioneer Press | comment Comment
11/21/06
Chris Hewitt (St. Paul)
Chris Hewitt (St. Paul)
St. Paul Pioneer Press

If you are seeking illumination about Arbus' artistry or her psyche, it's not here.

Full Review Source: USA Today | comment Comment
11/09/06
Claudia Puig
Claudia Puig
USA Today

Whereas Secretary didn’t have to worry about truth, Fur never quite escapes it, nor embraces it.

Full Review Source: Orlando Weekly | comment Comment
12/01/06
Cole Haddon
Cole Haddon
Orlando Weekly

Director Steven Shainberg's long awaited follow-up to his groundbreaking film "Secretary" (2002) is an anti-biopic that dares to read between the lines of its subject's life rather than replay the common knowledge events of photographer Diane Arbus' life.

Full Review Source: ColeSmithey.com | comment Comment
04/24/09
Cole Smithey
Cole Smithey
ColeSmithey.com

Much of the film is absurdist nonsense, and its symbolism is of the plank-to-the-head variety.

Full Review Source: Minneapolis Star Tribune | comment Comment
11/21/06
Colin Covert
Colin Covert
Minneapolis Star Tribune

In making her biography understandable, if "imaginary," it also makes [Arbus's] work—so thrillingly strange—a bit too familiar.

Full Review Source: PopMatters | comment Comment
11/15/06
Cynthia Fuchs
Cynthia Fuchs
PopMatters
 
 
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