By the end of "Gabrielle," we're rooting for the couple to break up just so we don't have to spend another minute in their company.
Gabrielle (2005)
Tomatometer
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Reviews Counted:53
Fresh:40
Rotten:13
Average Rating:6.7/10
Consensus: Patrice Chéreau's exquisite rendering of Joseph Conrad's The Return brings underlying passions to surface in a long-suffering marriage.
Theatrical Release:Jul 14, 2006 Limited
Box Office: $89,667
Synopsis: GABRIELLE is Patrice Chéreau's stunning adaptation of the short story "The Return" by Joseph Conrad. Recreating turn-of-the-century France with superb attention to detail, Chéreau casts... GABRIELLE is Patrice Chéreau's stunning adaptation of the short story "The Return" by Joseph Conrad. Recreating turn-of-the-century France with superb attention to detail, Chéreau casts an unrelenting gaze on the marital breakdown that overwhelms a middle-aged bourgeois couple, played with chilling precision by Isabelle Huppert and Pascal Greggory. Co-written by Chéreau and Anne-Louise Trividic, the film premiered at the 2005 Venice Film Festival and has since played at the Toronto, New York and San Francisco film festivals. The opening shots mirror the first paragraphs of Conrad's story, as wealthy Parisian Monsieur Hervey (Greggory) descends from a train into the teeming bustle of the city. While on his way home, he reflects on the success of his life and the fortress of security he has built around himself. It is not long before his self-satisfaction is rudely shattered when he discovers a letter from his wife, Gabrielle (Huppert), waiting for him on his sideboard. The contents of the message will crumble that security and plunge him into newfound feelings of vulnerability, abandonment and betrayal. Husband and wife soon find themselves engaged in a parry-and-thrust of emotions that change mid-sentence and stretch their ability to function and live in the same house. Chéreau's films have always been marked by their dark, unrelenting penetration of the human psyche and this film is no exception. In its intensity and sharp-eyed focus on the perils and pitfalls of marriage, the film has a deep emotive power which recalls the films of Ingmar Bergman. The film is also filled with moments of sublime visual power; cinematographer Eric Gautier sculpts light and shadow into magical patterns. The combination of atmospheric settings, ardent performances and painterly camerawork makes Gabrielle a magical and absorbing piece of cinema. -- © IFC Films [More]
Starring: Isabelle Huppert, Pascal Greggory, Raina Kabaivanska
Starring: Isabelle Huppert, Pascal Greggory, Raina Kabaivanska
Director: Patrice Chereau
Director: Patrice Chereau
Screenwriter: Patrice Chereau, Anne-Louise Trividic
Studio: IFC Films
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Reviews for Gabrielle
The director's skillful handing and the superb performances are liable to manipulate a smart audience as easily as they manipulate one another.
Chereau spoils it all by frequently resorting to trivial mannerisms, slipping gratuitously into black and white, using freeze frames, slow motion or sudden fades to white and inserting silent movie-style titles.
A film that matches all too well the times it portrays, Gabrielle is claustrophobic, stifling, and not a little crusty. Saved only by its exquisitely bitter performances and immaculate design.
Chereau matches Conrad's insistence on psychological accuracy, burrowing through the protective layers of self-delusion that hold so many human relationships together.
Much of the film is Huppert and Greggory verbally eviscerating their life together, not to mention their dreams and beliefs, and watching the give and take is like watching great theatre.
Based on a short story by Joseph Conrad, here is stylized rendition of a foundering marriage of convenience.
Scenes from a Marriage was twice as devastating with none of the stylistic folderol.
This is a careful and cinematic adaptation that rings with painful truth.
Gabrielle is art house fare and will appeal to the femme film buff...
Chéreau's period chamber drama is engrossing throughout and an interesting accompaniment to his modern day Intimacy.
Patrice Chéreau's startling drama recounts the dissolution of a marriage of a couple (Pascal Greggory and Isabelle Huppert) from the haute bourgeoisie.
Patrice Chereau's portrait of a marriage en crise is an excoriating look at the deep unhappiness that can fester within the most respectable-seeming of households.
A little less flash, and Gabrielle could have been a subtle classic. As is, it's still a powerful exploration of human nature.
Explosive and intense, melancholy yet sometimes mordantly funny, Gabrielle is the sort of picture that takes no prisoners. And offers no definitive answers.
In spite of some effective work by the lead actors and some blind stabs at stylistic ingenuity, Gabrielle proves itself to be a rather old-fashioned infidelity story.
As loyal as Chéreau's film is to Conrad's story, the director expands its point of view by giving more authority to the female experience Conrad suppresses in his text.
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