Explosive and intense, melancholy yet sometimes mordantly funny, Gabrielle is the sort of picture that takes no prisoners. And offers no definitive answers.
Gabrielle (2005)
Tomatometer
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Reviews Counted:53
Fresh:40
Rotten:13
Average Rating:6.7/10
Consensus: Patrice Chéreau's exquisite rendering of Joseph Conrad's The Return brings underlying passions to surface in a long-suffering marriage.
Theatrical Release:Jul 14, 2006 Limited
Box Office: $89,667
Synopsis: GABRIELLE is Patrice Chéreau's stunning adaptation of the short story "The Return" by Joseph Conrad. Recreating turn-of-the-century France with superb attention to detail, Chéreau casts... GABRIELLE is Patrice Chéreau's stunning adaptation of the short story "The Return" by Joseph Conrad. Recreating turn-of-the-century France with superb attention to detail, Chéreau casts an unrelenting gaze on the marital breakdown that overwhelms a middle-aged bourgeois couple, played with chilling precision by Isabelle Huppert and Pascal Greggory. Co-written by Chéreau and Anne-Louise Trividic, the film premiered at the 2005 Venice Film Festival and has since played at the Toronto, New York and San Francisco film festivals. The opening shots mirror the first paragraphs of Conrad's story, as wealthy Parisian Monsieur Hervey (Greggory) descends from a train into the teeming bustle of the city. While on his way home, he reflects on the success of his life and the fortress of security he has built around himself. It is not long before his self-satisfaction is rudely shattered when he discovers a letter from his wife, Gabrielle (Huppert), waiting for him on his sideboard. The contents of the message will crumble that security and plunge him into newfound feelings of vulnerability, abandonment and betrayal. Husband and wife soon find themselves engaged in a parry-and-thrust of emotions that change mid-sentence and stretch their ability to function and live in the same house. Chéreau's films have always been marked by their dark, unrelenting penetration of the human psyche and this film is no exception. In its intensity and sharp-eyed focus on the perils and pitfalls of marriage, the film has a deep emotive power which recalls the films of Ingmar Bergman. The film is also filled with moments of sublime visual power; cinematographer Eric Gautier sculpts light and shadow into magical patterns. The combination of atmospheric settings, ardent performances and painterly camerawork makes Gabrielle a magical and absorbing piece of cinema. -- © IFC Films [More]
Starring: Isabelle Huppert, Pascal Greggory, Raina Kabaivanska
Starring: Isabelle Huppert, Pascal Greggory, Raina Kabaivanska
Director: Patrice Chereau
Director: Patrice Chereau
Screenwriter: Patrice Chereau, Anne-Louise Trividic
Studio: IFC Films
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Reviews for Gabrielle
One of the film's savage ironies is that his wife's inevitable betrayal strikes less at his heart than at his all-consuming sense of order.
Scenes from a Marriage was twice as devastating with none of the stylistic folderol.
A film that matches all too well the times it portrays, Gabrielle is claustrophobic, stifling, and not a little crusty. Saved only by its exquisitely bitter performances and immaculate design.
This highly stylized portrait of a loveless marriage at the beginning of the 20th century merges a claustrophobic theatricality with dazzlingly cinematic wide-screen compositions (the sumptuous cinematography is by Eric Gautier).
Husband and wife, upper-class couple Jean and Gabrielle Hervey, are played, to perfection, by two of France's premier film actors: Pascal Greggory and Isabelle Huppert.
The director's skillful handing and the superb performances are liable to manipulate a smart audience as easily as they manipulate one another.
Though Gabrielle could be described as a very talky film..., probing talk is a French specialty, especially when it explores the dangerous, ever-changing chambers of the heart.
Chereau matches Conrad's insistence on psychological accuracy, burrowing through the protective layers of self-delusion that hold so many human relationships together.
Co-screenwriter/director Patrice Chereau doesn't seem in any particular hurry with the pacing. He practically dawdles, which makes the whole thing feel longer than its relatively scant running time.
Although it is possible that French actress Isabelle Huppert makes the occasional false move, she does not make them in front of a camera.
Greggory anchors Gabrielle in manly bewilderment and rage, while Huppert claws the title character's way to self-awareness.
For all its filmmaking bravura, the film never transcends the confines of its period drama setting. We look at the artistry and marvel, but we are never really touched.
Rewards those who stay with it...at least those who use terms like deconstruction.
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