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Gerry (2003)
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Reviews Counted:97
Fresh:58
Rotten:39
Average Rating:6.1/10
Consensus: The type of uncompromising film that divides filmgoers over whether it is profound or pretentious.
Theatrical Release:Feb 14, 2003 Limited
Synopsis: In Gus Van Sant's GERRY, a film more concerned with atmosphere and visual breadth than with story or plot, a frivolous hike through the desert evolves into an existential journey for two young men.... In Gus Van Sant's GERRY, a film more concerned with atmosphere and visual breadth than with story or plot, a frivolous hike through the desert evolves into an existential journey for two young men. The film features only two characters, both named Gerry and played by the film's co-creators Casey Affleck and Matt Damon. Driving through a desert populated with imposing rock formations and bordered by miles of sky, the two Gerrys stop to see an unspecified "thing" which they are unable to find. The two young men then attempt to return to their car, but cannot find the pathway back. As they wander through the increasingly difficult desert terrain, their journey strains their friendship and becomes an exploration that is clearly about more than just finding the car. After several commercial projects, GERRY is in some ways a return to roots for director Gus Van Sant. The motifs of moving clouds and the desert imagery may recall his early works--MY OWN PRIVATE IDAHO and EVEN COWGIRLS GET THE BLUES--but GERRY is even more ambitious than those revered projects. Highly influenced by Hungarian filmmaker Bela Tarr (WERCKMEISTER HARMONIES), the film uses minimal dialogue and long, languishing shots to achieve a meditative mood. [More]
Starring: Casey Affleck, Matt Damon
Starring: Casey Affleck, Matt Damon
Director: Gus Van Sant
Director: Gus Van Sant
Screenwriter: Casey Affleck, Gus Van Sant
Producer: Dany Wolf
Composer: Arvo Pärt
Studio: ThinkFilm
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Release:
Nov 11, 2003
Reviews for Gerry
One of those films that are better in hindsight — you won't forget the scenery and the torture of enduring it. See it if you're a masochist, don't bother if you're not.
Now we know what happens when director Gus Van Sant gets bored. He makes us bored.
A bold but barren and unrewarding art house stunt, Gerry's aggressively minimalist marriage of form and content comes off as bizarrely angry and deeply unfulfilling.
I'd be lying if I said it didn't annoy the hell out of me for most of its 103-minute running time. But I might watch it again sometime and try a little harder to get on its wavelength.
Nothing special to show at the end for this existential trip to nowhere.
After a while, you may start to feel like Gerry One and Two: a little fuzzy in the brain.
If nothing else, Gerry is restful, though I'm not sure that counts as a recommendation.
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