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Gerry (2003)
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Reviews Counted:97
Fresh:58
Rotten:39
Average Rating:6.1/10
Consensus: The type of uncompromising film that divides filmgoers over whether it is profound or pretentious.
Theatrical Release:Feb 14, 2003 Limited
Synopsis: In Gus Van Sant's GERRY, a film more concerned with atmosphere and visual breadth than with story or plot, a frivolous hike through the desert evolves into an existential journey for two young men.... In Gus Van Sant's GERRY, a film more concerned with atmosphere and visual breadth than with story or plot, a frivolous hike through the desert evolves into an existential journey for two young men. The film features only two characters, both named Gerry and played by the film's co-creators Casey Affleck and Matt Damon. Driving through a desert populated with imposing rock formations and bordered by miles of sky, the two Gerrys stop to see an unspecified "thing" which they are unable to find. The two young men then attempt to return to their car, but cannot find the pathway back. As they wander through the increasingly difficult desert terrain, their journey strains their friendship and becomes an exploration that is clearly about more than just finding the car. After several commercial projects, GERRY is in some ways a return to roots for director Gus Van Sant. The motifs of moving clouds and the desert imagery may recall his early works--MY OWN PRIVATE IDAHO and EVEN COWGIRLS GET THE BLUES--but GERRY is even more ambitious than those revered projects. Highly influenced by Hungarian filmmaker Bela Tarr (WERCKMEISTER HARMONIES), the film uses minimal dialogue and long, languishing shots to achieve a meditative mood. [More]
Starring: Casey Affleck, Matt Damon
Starring: Casey Affleck, Matt Damon
Director: Gus Van Sant
Director: Gus Van Sant
Screenwriter: Casey Affleck, Gus Van Sant
Producer: Dany Wolf
Composer: Arvo Pärt
Studio: ThinkFilm
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Release:
Nov 11, 2003
Reviews for Gerry
It's a sort of experimental film-school riff on Waiting for Godot, and while it's pretty tedious, it's better than it probably sounds.
[Van Sant has] managed something abstract yet explicit, and he's at his most honorable and purest in the aesthetics of filmmaking.
The result is focused, breathtakingly gorgeous and unexpectedly droll.
There's elegance and grace here, fostering an opportunity to reflect upon why men get so dutiful about being down. It's worth the hike.
If a picture was ever worth 1000 words, this is it (but I doubt there are 1000 words of dialog here) - minimalist filmmaking at its best.
Frankly, I found it at times a beguiling effort, with references to the stark, ambiguous cinema of Iran or of the Dogma group.
... as abstract an American film as you'll ever see starring a Hollywood golden boy, less a story than a striking and compelling experiment in filmmaking.
On the surface it may seem as barren as its desert, but underneath is a beautiful and surreal meditation.
Those willing to venture off the beaten cinematic path may find this visually dazzling, intellectually stimulating film a rare and wondrous discovery.
If you check Gerry out at the cinema, at least you won't have to worry if you need to use the restroom. Damon and Affleck still will be wandering lost in the same desert when you get back to your seat.
Even though it is hugely self-indulgent, painfully slow and as repetitive as walking around in circles in the desert, the film has a sort of twisted charm by its end.
Directors are supposed to suffer for their art, but we're the ones stranded and craving sustenance.
Think of Gerry more as an experience rather than a movie, a virtual vacation from the tired crash-and-chase pulse of status-quo cinema.
Van Sant fails to understand that when 'nothing' happens in the films of Tarr and Denis, it happens for a very good reason, not for a lack of anything better to do, as is the case here.
Patience is a virtue in the context of this risky, experimental work.
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