Gerry could well be Van Sant's masterpiece.
Gerry (2003)
Tomatometer
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Reviews Counted:97
Fresh:58
Rotten:39
Average Rating:6.1/10
Consensus: The type of uncompromising film that divides filmgoers over whether it is profound or pretentious.
Theatrical Release:Feb 14, 2003 Limited
Synopsis: In Gus Van Sant's GERRY, a film more concerned with atmosphere and visual breadth than with story or plot, a frivolous hike through the desert evolves into an existential journey for two young men.... In Gus Van Sant's GERRY, a film more concerned with atmosphere and visual breadth than with story or plot, a frivolous hike through the desert evolves into an existential journey for two young men. The film features only two characters, both named Gerry and played by the film's co-creators Casey Affleck and Matt Damon. Driving through a desert populated with imposing rock formations and bordered by miles of sky, the two Gerrys stop to see an unspecified "thing" which they are unable to find. The two young men then attempt to return to their car, but cannot find the pathway back. As they wander through the increasingly difficult desert terrain, their journey strains their friendship and becomes an exploration that is clearly about more than just finding the car. After several commercial projects, GERRY is in some ways a return to roots for director Gus Van Sant. The motifs of moving clouds and the desert imagery may recall his early works--MY OWN PRIVATE IDAHO and EVEN COWGIRLS GET THE BLUES--but GERRY is even more ambitious than those revered projects. Highly influenced by Hungarian filmmaker Bela Tarr (WERCKMEISTER HARMONIES), the film uses minimal dialogue and long, languishing shots to achieve a meditative mood. [More]
Starring: Casey Affleck, Matt Damon
Starring: Casey Affleck, Matt Damon
Director: Gus Van Sant
Director: Gus Van Sant
Screenwriter: Casey Affleck, Gus Van Sant
Producer: Dany Wolf
Composer: Arvo Pärt
Studio: ThinkFilm
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Release:
Nov 11, 2003
Reviews for Gerry
Ragingly bad art that contributes to a definition of independent film as something no one would want to sit through.
The best way to approach Gerry -- perhaps the only way -- is to treat it as a sanctuary, a film to be visited the way you would a Buddhist temple or a piece of ambient music.
After a while, you may start to feel like Gerry One and Two: a little fuzzy in the brain.
The movie is so gloriously bloody-minded, so perverse in its obstinacy, that it rises to a kind of mad purity.
Zzzzzzzz. Zzzzzzzzzzzzzz. Zzzzzzzzzzzzzzzzz. Ulph. Umph. Ach. ZZZZZZZzzzzzzzz.
A rich, challenging mood piece that may not cohere thematically but takes us on a compelling, unique journey.
It's a filmmaker's Full Monty. Bold. Brave. Sort of embarrassing. You may wish he'd kept his proverbial pants on.
It's definitely one of the strangest films ever made by a major U.S. director -- yet I liked it.
...a marathon meditation on the puniness of man, humbled by the unblinking harshness of his surroundings. You get lost in the landscapes and can't find your way out.
Arty exercise that strands Matt Damon and Casey Affleck (both named Gerry) in a desert with little to say and do except lose themselves in an existential wasteland of doomed beauty.
Can hit or miss, depending on whether or not you are engaged by its hypnotic visuals, and whether or not the feelings it evokes from you are interesting, memorable, or intense.
By turns daunting and absorbing, Gerry is about movement that seems hopeless, that takes you nowhere, that's increasingly slowed but also increasingly urgent.
An inexplicably compelling, far-outside-the-box excursion from director Gus Van Sant...and a welcome return to his roots as one of American cinema's more daring filmmakers.
I could say for the first forty-five minutes or so it was funny and interesting and I got what he was doing, but it just becomes tedious ...
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