Get Real is a sweet-natured coming-out comedy from England that seems to be coming out about 10 years too late.
Get Real (1999)
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Reviews Counted:44
Fresh:34
Rotten:10
Average Rating:6.4/10
Consensus: An authentic portrayal of homosexuality in high school, Get Real is an engaging dramedy that doesn't sermonize its audience nor trivialize its characters.
Runtime: 1 hr 51 mins
Genre: Comedies
Synopsis: Love blooms in this coming-of-age/coming-out film about a British prep student who follows his heart into uncharted territories.
Starring: Ben Silverstone, Brad Gorton, Charlotte Brittain
Starring: Ben Silverstone, Brad Gorton, Charlotte Brittain
Director: Simon Shore
Director: Simon Shore
Screenwriter: Patrick Wilde
Producer: Stephen Taylor
Composer: John Lunn
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Reviews for Get Real
Get Real mainstreams gayness in an unthreatening way: the appealing gay character is set up as the audience's point of identification and the phobes are the obvious villains. This might be considered progress, for now.
Wilde's script, which has a weakness for mild, snickering double entendres, is notable for its near-total reliance on archetypes.
Get Real may fulfill a desire in some to see simple-minded views expressed cinematically in feel-good fables (at whatever cost to narrative logic or character development), but these actors deserve better.
Trite replaces the notion of lighthearted, and it’s a quickly tiresome unromantic soap.
The rather unoriginal script, co-written by Shore and Patrick Wilde (who wrote the stage play upon which the film is based), has roughly an equal number of clever lines and embarrassing clunkers.
Feeling like it was filmed in (get) real time, the picture slowly winds its way through sentiments not seen this side of soap operas and bad after-school specials.
With a little refurbishment, Get Real could realize potential that gets buried in this movie by its banality.
Simon Shore's feature directing debut displays considerable confidence and aplomb. But his fairly hackneyed sense of storytelling seems to value accessibility above complexity, so don't expect any surprises.
The performances are solid throughout, and the writing is straightforward and tight.
The strength of this agreeable comedy, directed by Simon Shore from a screenplay by Patrick Wilde, is that it makes even the tiniest sexual encounters seem emotionally momentous.
Celebrates the right of every person to put forward his or her true self every day without reservation or hesitation.
The film as a whole is involving, one which succeeds not only as entertainment but could be used as a primer for kids even on the junior high school level to teach toleration and, even better, acceptance of those whose ways of thinking less popular.
Silverstone perfectly conveys Steven's fears, desires and sometimes naive hopes, along with his growing determination to proclaim his identity.
In Steven, John, and their friends, Shore gives us individuals worth caring about in situations we can all relate to, regardless of our sexual orientation.
succeeds in conveying the misery that always results when people try to hide their true selves to impress others.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 83% 83% | Harry Potter and the H… |
| 67% 67% | Public Enemies |
| 75% 75% | Julie & Julia |
| 95% 95% | The Cove |
| 85% 85% | World's Greatest Dad |
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