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Movies / On DVD / Ghost Dog: The Way of the Samurai
Ghost Dog: The Way of the Samurai

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Ghost Dog: The Way of the Samurai (1999)

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Reviews Counted:90

Fresh:73

Rotten:17

Average Rating:7/10

Consensus: An innovative blend of samurai and gangster lifestyles.

Runtime: 1 hr 56 mins

Genre: Dramas

Synopsis: Ghost Dog (Forest Whitaker) lives simply, apart from the world in a homemade shack on the roof of an abandoned building. His only true companion is the trusted carrier pigeon that serves as his... Ghost Dog (Forest Whitaker) lives simply, apart from the world in a homemade shack on the roof of an abandoned building. His only true companion is the trusted carrier pigeon that serves as his primary means of communication with the outside world. He studies the early eighteenthcentury Japanese warrior text Hagakure: The Book of the Samurai. Each morning, he bows to the altar he has constructed and practices the ancient disciplines of the samurai. Ghost Dog is a contract killer, a master of his trade who can whirl a gun at warp speed and moves through this world like a phantom, stealthy and evanescent. In the spirit of the samurai, he has pledged his loyalty to a small-time mobster named Louie (John Tormey), who saved his life many years before.

Written and directed by Jim Jarmusch, Ghost Dog: The Way of the Samurai is a hypnotic re-creation of the gangster picture that pits ancient wisdom against modern dysfunction, locating the parallels and differences between samurai and Mafia codes of honor and loyalty. As the modern crime family slides towards extinction, its moral system disintegrates and no one is safe in the struggle for power. In this fractious army, there is no place for the loyalty of the samurai, but his mastery and strength are undiluted.

Ghost Dog is a study of two worlds in collision, a recurring theme in the work of the award-winning filmmaker Jim Jarmusch. One of the world's most distinctive auteurs, Jarmusch's offbeat sensibility and striking, stylized visuals have won him critical acclaim and an international following. His seminal 1984 comedy Stronger Than Paradise won the Caméra d'Or (best first film) at that year's Cannes Film Festival and was named Best Picture by the National Society of Film Critics. Subsequent films, including Down By Law, Mystery Train, Night on Earth and Dead Man, have solidified Jarmusch's reputation as a consistently fine and adventurous filmmaker, who continues to grow and challenge himself.

Wonderfully written, populated by surprising characters, Ghost Dog is by turns soulful, ruminative, funny and explosive. As Ghost Dog, Forest Whitaker gracefully embodies the spirituality, wisdom and strength of the samurai, creating a modern version of the fabled warrior. Quietly and powerfully, he makes us understand Ghost Dog's deep and undying devotion to Hagakure. Whitaker's moving central performance is complimented by the work of a remarkable cast that includes veteran character actors John Tormey, Cliff Gorman, Henry Silva and Victor Argo.

Ghost Dog splices together eighteenth-century Japanese teachings; martial arts; mob iconography; the venerable military primer The Art of War; hip-hop; mythology; and pop entertainment. Lessons from Hagakure comment on the film's action; so do classic television cartoons from "Betty Boop" to "Felix the Cat" and "The Simpsons"' Itchy and Scratchy, animated parables of sex, envy, power and violence. High and low, mystic and antic, classic and of-the-moment: all kinds of cultural tributaries feed into the film's bubbling stream of knowledge.

Adding to the film's potent brew is the expressive soundtrack by THE RZA (pronounced "Rizzah"), the prolific producer and founder of the platinum-selling, hip-hop phenomenon the Wu-Tang Clan. THE RZA is an avid and inventive practitioner of cultural fusion; The Wu-Tang's music and its complex mythology blends Afro-Asiatic principles of mental discipline, kung-fu pyrotechnics, urban realism and horror- movie eerieness. THE RZA's signature sparse, atmospheric sound ushered in a new style in hip-hop, as group recordings and solo albums by individual Wu-Tang members sold in the millions. Fluent in electronica, rock and R&B, THE RZA has produced music for Bjork and Orbital, along with The Wu-Tang Clan's group and solo records.

Ghost Dog: The Way of the Samurai takes viewers on a parallel journey with the modern samurai, for a mesmerizing, meditative and edgy experience. With THE RZA playing Ennio Morricone to Jim Jarmusch's Sergio Leone, Ghost Dog is an inspired meld of movie and music. It is the timehonored story of one man, abiding by a strict code of behavior, who must do battle with ruthless enemies out to destroy him. Street culture blends with Eastern philosophy as Ghost Dog's spiritual journey plays out against the heavy beats and unpredictable violence of the urban frontier.

Ghost Dog's chosen master, Louie, is a foot soldier in a local crime family headed up by Ray Vargo (Henry Silva). The Vargo outfit is a comically low-rent bunch, who operate out of a Chinese restaurant and are on the verge of being evicted from their "social club" for nonpayment of rent. Per the instructions of underboss Sonny Valerio (Cliff Gorman), Louie has hired Ghost Dog to kill Handsome Frank (Richard Portnow), a "made man" who has been consorting with Louise Vargo (Tricia Vessey), Ray Vargo's beautiful, strangely detached young daughter. Ghost Dog executes his assignment with characteristic efficiency, only to then discover Louise watching cartoons in Frank's living room. The emotionally opaque Louise lends the silent hit man her paperback copy of Rashomon.

Furious to hear of Louise's presence, Vargo wants Ghost Dog, a man whom no one but Louie has ever met, dead. Louie tries to explain that his peerless assassin is no ordinary killer, but his description of Ghost Dog's exacting methodology is met with baffled derision. He describes how he met Ghost Dog, who was being savagely beaten by a gang of thugs, one of whom turned his gun on Louie. No one cares, nor is anyone moved that Ghost Dog presented himself to Louie four years later, offering a lifetime of service. Either Ghost Dog goes, or Louie does.

Ghost Dog, however, is a most formidable adversary, disciplined and trained in the art of war. He knows that he and his master are in danger, and prepares for battle with the Vargo family. As prescribed by Hagakure, Ghost Dog carefully considers his strategy and assesses his opponents before he takes action.

Ghost Dog's opponents and allies are all colorful characters; like the tricksters and animals of ancient fables, they add comedy and, occasionally, insight. Ghost Dog's enemies are ruthless and amoral, but they're not without their peculiar charms, from the ardent rap fan Sonny, to the fedora-sporting oldtimer (Gene Ruffini) who has an unforgettable way of contributing to a conversation. And in his bizarrely frozen fashion, Ray Vargo seems to have a certain understanding of Ghost Dog. On the less bloodthirsty side, there is Ghost Dog's best friend, the jovial French-speaking African ice cream vendor Raymond (Isaach de Bankolé). Raymond doesn't understand a word of English, and Ghost Dog doesn't understand any French. An intuitive understanding exists, allowing the two men to continue a dialogue, verbalizing the same thoughts simultaneously although in different languages. Joining this small circle is Pearline (Camille Winbush), the independent pre-adolescent protégé of Ghost Dog whom he meets in the park.

Ghost Dog calmly proceeds with his battle plan, employing the strictures of precision and ingenuity taught by Hagakure. In the end, it will come down to a confrontation with Louie that illustrates the ambiguity of history. Few stories are the same in the eyes of two men; Ghost Dog's memory of his first encounter with Louie is dramatically, crucially different from the other man's recollection, and it cannot be known which version is accurate. That lesson of subjectivity, of course, is embodied in the Japanese classic Rashomon, lent to Ghost Dog by the mob princess Louise, and by him to young Pearline, who now also inherits the code of the samurai. [More]

Starring: Forest Whitaker, John Tormey, Cliff Gorman, Frank Minucci

Starring: Forest Whitaker, John Tormey, Cliff Gorman, Frank Minucci, Richard Portnow, Tricia Vessey, Henry Silva, Gene Ruffini, Frank Adonis, Victor Argo, Damon Whitaker, Vince Viverito, Chuck Jeffreys, Yan Ming Shi, Vinnie Vella, Joe Rigano, Isaach de Bankolé, Camille Winbush, Gary Farmer, Clebert Ford, Angel Caban, Jonathan Cook, Tracy Howe, Harry Shearer, Vanessa Hollingshead, Sharon Angela, RZA

Director: Jim Jarmusch

Director: Jim Jarmusch
Screenwriter: Jim Jarmusch
Producer: Jim Jarmusch, Richard Guay

[See More Credits]

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Release:

Aug 15, 2000

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Reviews for Ghost Dog: The Way of the Samurai

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41 - 60 (sorted by date)
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Quite a delightful surprise, a characteristically deliberate but singularly amusing shaggy-dog tale.

Full Review Source: One Guy's Opinion | comment Comment
01/01/00
Frank Swietek
Frank Swietek
One Guy's Opinion

Ghost Dog ... is an early 21st century urban black man who's remodelled himself after the samurai warriors of Medieval Japan, adopting and embodying an alien culture through a weirdly admirable act of will.

Full Review Source: eye WEEKLY | comment Comment
01/01/00
Gemma Files
Gemma Files
eye WEEKLY

Ghost Dog... is like sitting a parked car in an interesting neighbourhood with a good stereo for nearly two hours.

Full Review Source: Toronto Star | comment Comment
01/01/00
Geoff Pevere
Geoff Pevere
Toronto Star
Top Critic Icon Top Critic

The director ladles on winking ironies and surprise chuckles.

comment Comment
01/01/00
Gregory Weinkauf
Gregory Weinkauf
New Times

Ghost Dog intersperses the rules and regulations of two disparate groups, the Mafia, to dramatize the decline of the old loyalties...

Full Review Source: Compuserve | comment Comment
01/01/00
Harvey S. Karten
Harvey S. Karten
Compuserve

Ghost Dog: The Way of the Samurai was written and directed by Jim Jarmusch, the perfect and perhaps only filmmaker for this material.

Full Review Source: UK Critic | comment Comment
01/01/00
Ian Waldron-Mantgani
Ian Waldron-Mantgani
UK Critic

Ghost Dog is an impeccably shot and sensationally scored deadpan parody of two current popular modes -- the hit-man glorification saga and the Cosa Nostra family drama.

Full Review Source: Village Voice | comment Comment
01/01/00
J. Hoberman
J. Hoberman
Village Voice
Top Critic Icon Top Critic

Whimsical, funny, violent, quirky and oh-so-cool.

Full Review Source: Rochester Democrat and Chronicle | comment Comment
01/01/00
Jack Garner
Jack Garner
Rochester Democrat and Chronicle

Only the most ardent Jarmusch fan will be able to suspend disbelief, and the movie turns into an exercise in ideas rather than an excursion along a stable narrative route.

Full Review Source: ReelViews | comment Comment
01/01/00
James Berardinelli
James Berardinelli
ReelViews
Top Critic Icon Top Critic

Sometimes a movie gets you so bad that you need to tell people how excited you are about it.

Full Review Source: Combustible Celluloid | comment Comment
01/01/00
Jeffrey M. Anderson
Jeffrey M. Anderson
Combustible Celluloid

A quirky, unique fable featuring the most original character to hit the screen in years.

Full Review Source: JoBlo's Movie Emporium | comment Comment
01/01/00
JoBlo
JoBlo
JoBlo's Movie Emporium

The movie ambles along without much direction.

Full Review Source: Sacramento Bee | comment Comment
01/01/00
Joe Baltake
Joe Baltake
Sacramento Bee

Dryly funny and important.

Full Review Source: Newsday | comment Comment
01/01/00
John Anderson
John Anderson
Newsday
Top Critic Icon Top Critic

Drily funny.

Full Review Source: Seattle Times | comment Comment
01/01/00
John Hartl
John Hartl
Seattle Times

...a reflective film and, in its eccentric way, a comical one.

Full Review Source: DVDTown.com | comment Comment
01/01/00
John J. Puccio
John J. Puccio
DVDTown.com

[Cinematographer Robby Müller] gives Ghost Dog a dark, seedy look, and RZA’s score is likely to be one of the year’s best.

Full Review Source: Planet Sick-Boy | comment Comment
01/01/00
Jon Popick
Jon Popick
Planet Sick-Boy

A self-conscious but surprisingly entertaining fusion of gangster, martial-arts and western movies.

Full Review Source: New York Post | comment Comment
01/01/00
Jonathan Foreman
Jonathan Foreman
New York Post
Top Critic Icon Top Critic

Jarmusch has introduced historical references ... that have opened up his imagination and extended his thematic and affective range well beyond that of his first five features.

Full Review Source: Chicago Reader | comment Comment
01/01/00
Jonathan Rosenbaum
Jonathan Rosenbaum
Chicago Reader
Top Critic Icon Top Critic

Demerits for the dull execution.

Full Review Source: TV Guide's Movie Guide | comment Comment
01/01/00
Ken Fox
Ken Fox
TV Guide's Movie Guide

The film is full of moments of stifled hilarity...

Full Review Source: Empire Magazine | comment Comment
01/01/00
Kim Newman
Kim Newman
Empire Magazine
 
 
41 - 60 (sorted by date)
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