Leth’s gritty, haphazardly edited film plays like a music video, with jagged rap sequences interlaced with urgent handheld Super 8-style footage and a stonking shanty-blues soundtrack.
Ghosts of Cite Soleil (2007)
Tomatometer
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Reviews Counted:48
Fresh:39
Rotten:9
Average Rating:6.5/10
Consensus: Asger Leth risked his life to bring audiences this rare and gritty glimpse at Haitian gangs, poverty and politics.
Theatrical Release:Jun 27, 2007 Limited
Synopsis: An epic portrait of a family and a culture torn apart by poverty and violence, GHOSTS OF CITÉ SOLEIL is a powerful and unsettling documentary that takes us inside the lives of the notorious gang... An epic portrait of a family and a culture torn apart by poverty and violence, GHOSTS OF CITÉ SOLEIL is a powerful and unsettling documentary that takes us inside the lives of the notorious gang leaders who dominate the Haitian slum of Cite Soleil, one of the most desperate communities in the Western hemisphere. Set to a score by Wyclef Jean, who also executive produced the film and serves as an inspiration to the young men of Haiti, the film follows two of the gang leaders, who happen to be brothers, and are also aspiring rappers. The foot soldiers of these gang leaders are known as chimeres (or “ghosts”) and it was those ghosts whom former President Jean-Bertrand Aristide is said to have employed to silence his opponents. Filmed in the months leading up to Aristide’s overthrow in 2004, the film captures the smoldering tensions between the two rival gang leaders, and their love for the same woman, set in a city the United Nations has declared the most dangerous place on Earth. --© THINKFilm [More]
Director: Asger Leth
Director: Asger Leth
Producer: Seth Kanegis
Composer: Wyclef Jean
Studio: ThinkFilm
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Reviews for Ghosts of Cite Soleil
This deeply questionable movie presents itself as a documentary. Actually it is hardly more than an exploitative gangsta rap video about the worst slums of the Haitian capital Port-au-Prince. Leth's movie is politically and morally illiterate.
A daring documentary about two violent young Haitian gang leaders and their lives in a slum that is a truly a hell on earth.
The tone of the movie is excessively in thrall to its admittedly charismatic subjects.
The ultra-violence of this microcosm [gang] society is what Ghosts is all about.
This flashy looking documentary scored by Haitian singer Wyclef Jean is such a frightening inside look at a poverty stricken society ruled by violence that it is a marvel that it got made.
For a documentary, this film has one of the most gripping narratives of the year.
An expressionistic portrait of a society in violent chaos, the film blends cinéma vérité and newsreel footage to capture a modern-day tragedy with Shakespearean overtones.
Danish filmmaker Asger Leth's gritty documentary is an all-too-real -- and rarely seen -- glimpse into the dark side of Aristide's Haiti.
A spectacularly turbulent portrait of the chaos and bloodshed that have come to define Haiti.
The director, Asger Leth, isn't terribly organized, but he puts us smack in the middle of everything: petty squabbles, horrible riots, casual shootings, even a love triangle.
Consistently riveting thanks to the sense of sheer terror that infuses its best moments.
That the most powerful aspect of this story is described rather than shown is one of Ghosts' many mysteries. Another is Leth's remarkable access to his subjects.
The 85 minutes of this documentary are searing, not on gore quotient but through an aura of appalling violence in every frame.
There's an immediacy to Ghosts of the Cite Soleil that's exceedingly rare for a documentary of any stripe.
Viewing the political tumult in 2004 Haiti through the perspective of two gangleader brothers, this powerful docu offers a critique on power, poverty, and the pervasive impact of American pop culture on the wider world.
Arguably the film romanticises its morally challenged protagonists, but there's little hint of rose-tint in the fear, peril and hopelessness that seem to soak every frame like a cold sweat.
Captured at hair-raisingly close quarters by the fearless filmmakers, the sense of lawlessness grabs the throat and haunts the mind.
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