The tone of the movie is excessively in thrall to its admittedly charismatic subjects.
Ghosts of Cite Soleil (2007)
Tomatometer
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Reviews Counted:48
Fresh:39
Rotten:9
Average Rating:6.5/10
Consensus: Asger Leth risked his life to bring audiences this rare and gritty glimpse at Haitian gangs, poverty and politics.
Theatrical Release:Jun 27, 2007 Limited
Synopsis: An epic portrait of a family and a culture torn apart by poverty and violence, GHOSTS OF CITÉ SOLEIL is a powerful and unsettling documentary that takes us inside the lives of the notorious gang... An epic portrait of a family and a culture torn apart by poverty and violence, GHOSTS OF CITÉ SOLEIL is a powerful and unsettling documentary that takes us inside the lives of the notorious gang leaders who dominate the Haitian slum of Cite Soleil, one of the most desperate communities in the Western hemisphere. Set to a score by Wyclef Jean, who also executive produced the film and serves as an inspiration to the young men of Haiti, the film follows two of the gang leaders, who happen to be brothers, and are also aspiring rappers. The foot soldiers of these gang leaders are known as chimeres (or “ghosts”) and it was those ghosts whom former President Jean-Bertrand Aristide is said to have employed to silence his opponents. Filmed in the months leading up to Aristide’s overthrow in 2004, the film captures the smoldering tensions between the two rival gang leaders, and their love for the same woman, set in a city the United Nations has declared the most dangerous place on Earth. --© THINKFilm [More]
Director: Asger Leth
Director: Asger Leth
Producer: Seth Kanegis
Composer: Wyclef Jean
Studio: ThinkFilm
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Reviews for Ghosts of Cite Soleil
Gripping, powerful documentary with a terrific soundtrack and a compelling narrative that resonates on both a personal and political level.
Leth’s gritty, haphazardly edited film plays like a music video, with jagged rap sequences interlaced with urgent handheld Super 8-style footage and a stonking shanty-blues soundtrack.
Raw authenticity makes this a strong contender for a Haitian City of God, but it seems too staged and narrow in its focus to properly convince as a documentary.
Arguably the film romanticises its morally challenged protagonists, but there's little hint of rose-tint in the fear, peril and hopelessness that seem to soak every frame like a cold sweat.
When it comes to depicting hell on Earth, Ghosts of Cite Soleil burns right through the eyeballs and straight into the soul.
An expressionistic portrait of a society in violent chaos, the film blends cinéma vérité and newsreel footage to capture a modern-day tragedy with Shakespearean overtones.
Cité Soleil is the scariest and most captivating ghost story you’ll see this year.
Fascinating stuff, but this portrait of these scary 'altar boys' is probably the last thing that Haiti's Board of Tourism wants to see in circulation.
Consistently riveting thanks to the sense of sheer terror that infuses its best moments.
[An] indelible documentary, which dives into the brutal heart of a place most people would avoid at all cost.
Shot like a music video, the movie is quick-cutting, glossy and superficial, causing one to wonder about its serious intent.
The director, Asger Leth, isn't terribly organized, but he puts us smack in the middle of everything: petty squabbles, horrible riots, casual shootings, even a love triangle.
The filth, squalor and constant gang menace are all vividly captured in Ghosts of Cité Soleil, a daring yet wearying piece of 16mm filmmaking, defiantly in the tradition of guerrilla feel-bad cinema.
A moving and profoundly upsetting portrait of life near the bottom of the global power pyramid.
Asger Leth's Ghosts of Cité Soleil offers a tour of a notorious, hellish slum in Port-au-Prince, the capital of Haiti.
Danish filmmaker Asger Leth's gritty documentary is an all-too-real -- and rarely seen -- glimpse into the dark side of Aristide's Haiti.
That the most powerful aspect of this story is described rather than shown is one of Ghosts' many mysteries. Another is Leth's remarkable access to his subjects.
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