Average Rating: 7/10
Reviews Counted: 96
Fresh: 77 | Rotten: 19
The underwater footage is both beautiful and awe-inspiring.
Average Rating: 7.1/10
Critic Reviews: 24
Fresh: 21 | Rotten: 3
The underwater footage is both beautiful and awe-inspiring.
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Average Rating: 3.3/5
User Ratings: 6,066
Filmmaker James Cameron has long been fascinated with the ill-fated maiden voyage of the great ship the Titanic, and he used the story as the backdrop for his most famous and successful movie. In the summer of 2001, Cameron and his good friend Bill Paxton (who appeared in Titanic) joined a group of scientists, maritime historians, archaeologists, and deep sea explorers for a daring experiment -- to find and document the Titanic's final resting place at the bottom of the Atlantic Ocean. Cameron
G, 59 min.
Documentary, Science Fiction & Fantasy, Comedy, Special Interest
Apr 11, 2003 Limited
Apr 27, 2004
$16.3M
Buena Vista Distribution
All Critics (97) | Top Critics (24) | Fresh (79) | Rotten (20) | DVD (19)
This hour-long feature, edited down from 900 hours of footage, is both a technical marvel and a heartfelt memorial to those who died when the ship sank in 1912.
Cameron, who produced and directed it, does a visually splendid job, though what he has fashioned comes down to a logistical footnote to his great, primal, heart-of- the-ocean blockbuster.
One of the rare Imax movies in which the 3-D effects are completely melded into the picture, rather than simply used as a gimmick.
Aside from his CGI ghostcraft unwittingly co-opting Pat O'Neill's last feature, Cameron is entirely predictable in a marines T-shirt, exhorting, 'Next stop, Titanic -- rock 'n' roll!'
Ghosts of the Abyss is an incredible experience that will further enhance our century-long fascination with the Titanic.
Besides the considerable technological magic of the film, it's blessedly done without a spirit of vanity.
Go and marvel at this spectacular piece of visual history; it's 60 minutes very well spent.
What's the point of this documentary?
This is a brilliant showcase for IMAX and Cameron who offer an entertaining and fascinating glimpse of history to us all.
Despite Paxton's whooping every time a new artefact comes on screen, it's hard to be constantly excited about watching a bunch of rusty, decayed junk -- historic and three-dimensional though it may be.
It may not have the organisation of 'art', but it's quite some postcard.
Using small robot cameras, Cameron brings the ship to life, recalling its power and splendor.
Persuading the appealing Bill Paxton to come along for this undersea ride was one of James Cameron's wisest moves.
Cameron has gone from shaping the zeitgeist to spoonfeeding it
...utilizing two discs allows both movie versions to be transferred at a low compression rate and leaves plenty of room on disc two for the few extras the set has to offer.
The picture's beauty and Cameron's amazing photographic work provide much pleasure. It's just that...there is the feeling we've been there and seen it all before.
As seqüências rodadas nos destroços do Titanic são estupendas, mas o filme constantemente perde o foco e gasta muito tempo com a narração pouco inspirada de Paxton.
Cameron is forever associated with the fateful ship, and I think it's time he moved on.
Not as record setting a motion picture as, say, Titanic, but more haunting and ethereal.
Ghosts Of the Abyss is an interesting experiment which fails to take full advantage of the real opportunity granted in its inception - to utilize emerging technology to explore terrain that has never been witnessed by humans. . .
The Titanic has a haunting beauty that is served well by the movie's 3-dimensional process.
Ghosts of the Abyss is a beautifully rendered middle-of-the-road documentary that strikes a perfect balance between entertainment and education.
Funny coincidence: GHOSTS OF THE ABYSS is about the Titanic; it's directed by James Cameron, who directed both the 1997 film TITANIC and the similarly-titled (but ultimately-unrelated 1989 film THE ABYSS. Just thought I'd mention that. GHOSTS OF THE ABYSS is a smooth, but overly slow, documentary about the
September 21, 2011Super Reviewer
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