A pitch-black fusion of dark comedy, icy melodrama and satirical sideswipes at the class system, held together with an absorbing lead performance.

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A Girl Cut in Two (2008)
Tomatometer
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Reviews Counted:76
Fresh:56
Rotten:20
Average Rating:6.3/10
Consensus: Nouvelle Vague master Claude Chabrol balances subtle stabs of humor and biting class criticism to explore a love story and the seedier side of the haute bourgeois.
Theatrical Release:Aug 15, 2008 Limited
Synopsis: In A GIRL CUT IN TWO, Gabrielle Snow (Ludivine Sagnier) has an enviable choice: between two rich, handsome men who desire her. But in this thriller from prolific French director Claude Chabrol... In A GIRL CUT IN TWO, Gabrielle Snow (Ludivine Sagnier) has an enviable choice: between two rich, handsome men who desire her. But in this thriller from prolific French director Claude Chabrol (MERCI POUR LE CHOCOLAT), the decision isn't an easy one, and the results are far from romantic. Gabrielle meets the distinguished, married writer Charles Saint-Denis (François Berléand, THE TRANSPORTER) and is immediately captivated. At the same time, she encounters a spoiled heir, Paul (Benoît Magimel, THE PIANO TEACHER), who is equally taken with her. Gabrielle bounces between the two men until she finally makes a choice. But despite her fairy tale princess looks, there isn't a happy ending for Gabrielle. Chabrol has crafted a mature, sexy thriller. It's lacks a fast pace and a lot of skin, but there's plenty of tension throughout the film. The steam in A GIRL CUT IN TWO doesn't come from sexy love scenes--instead it's the potboiler plot that has each man providing a different brand of menace for Gabrielle. Though Gabrielle--like her suitors--isn't an especially likeable character, she's played with impressive skill by Sagnier. The young actress is one of France's biggest stars, and with good reason: she's worked with the country's most prominent directors, including Christophe Honoré, Claude Miller, and Yvan Attal, and she's done multiple films with François Ozon. Turning in a great performance for legendary director Chabrol here certainly won't hurt her standing at home or abroad. [More]
Starring: Ludivine Sagnier, Benoit Magimel, François Berléand, Valeria Cavalli
Starring: Ludivine Sagnier, Benoit Magimel, François Berléand, Valeria Cavalli, Mathilda May
Director: Claude Chabrol
Director: Claude Chabrol
Screenwriter: Cécile Maistre, Claude Chabrol
Producer: Patrick Godeau
Composer: Matthieu Chabrol
Studio: IFC Films
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Reviews for A Girl Cut in Two
The relationships are never completely convincing and there are too many unresolved questions to create an entirely satisfying tale.
Talk is everything, with action hinted at the edges, as Chabrol's camera sidles off to look at a casually thrown book, or skates away from anything salacious.
This is one of Mr. Chabrol’s strangest films, but he still makes a ripple in his ocean.
Too cold and cynical to be truly enjoyed but the old dog still has a few new tricks up his sleeve.
... a deeply cynical film that makes no pretense about the status of women in society.
One’s final impression is that aging legends make unreliable puppet-masters. And that it’s all too easy for a desirable young actress to be left dangling in mid-air.
...The film's pleasures come from the wit with which Chabrol assembles it as each scene glides sedately into the next one.
Though the performances are all first-rate, the film is let down by weak characterisation. Still, it’s enjoyable, if not exceptional.
It's not fresh material, but in the hands of a master like Chabrol it appears like a fresh breeze.
This latest skewering of the privileged, tragically flawed and selfishly driven makes it clear that there is no other filmmaker to better tell The Eliot Spitzer Story.
While not one of the director's best works, it's a classy, sophisticated entertainment with a typically rich subtext.
An exploration by French director Claude Chabrol of the illusions of love in the magical worlds of publishing, the media and old money.
A cynically effective look at the suffocating lives endured by some of the rich and famous.
A Girl Cut in Two is a spry piece of work. Chabrol uses this sinister clown show as a means to puncture the media world's hot-air balloons -- as well as to highlight the hypocrisies of his favorite target, the haute bourgeoisie.
There are some good performances. And it's definitely nothing like what we've come to expect from Claude Chabrol, a filmmaker who's been called the French Alfred Hitchcock.
Claude Chabrol's newest foray into darkness and bad behavior emerges as less of a murder or suspense story and more of a black comedy.
Latest News for A Girl Cut in Two
August 10, 2008:
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