Claude Chabrol's capacity to make shopworn material seem almost new is especially evident in this 2007 drama.

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A Girl Cut in Two (2008)
Tomatometer
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Reviews Counted:76
Fresh:56
Rotten:20
Average Rating:6.3/10
Consensus: Nouvelle Vague master Claude Chabrol balances subtle stabs of humor and biting class criticism to explore a love story and the seedier side of the haute bourgeois.
Theatrical Release:Aug 15, 2008 Limited
Synopsis: In A GIRL CUT IN TWO, Gabrielle Snow (Ludivine Sagnier) has an enviable choice: between two rich, handsome men who desire her. But in this thriller from prolific French director Claude Chabrol... In A GIRL CUT IN TWO, Gabrielle Snow (Ludivine Sagnier) has an enviable choice: between two rich, handsome men who desire her. But in this thriller from prolific French director Claude Chabrol (MERCI POUR LE CHOCOLAT), the decision isn't an easy one, and the results are far from romantic. Gabrielle meets the distinguished, married writer Charles Saint-Denis (François Berléand, THE TRANSPORTER) and is immediately captivated. At the same time, she encounters a spoiled heir, Paul (Benoît Magimel, THE PIANO TEACHER), who is equally taken with her. Gabrielle bounces between the two men until she finally makes a choice. But despite her fairy tale princess looks, there isn't a happy ending for Gabrielle. Chabrol has crafted a mature, sexy thriller. It's lacks a fast pace and a lot of skin, but there's plenty of tension throughout the film. The steam in A GIRL CUT IN TWO doesn't come from sexy love scenes--instead it's the potboiler plot that has each man providing a different brand of menace for Gabrielle. Though Gabrielle--like her suitors--isn't an especially likeable character, she's played with impressive skill by Sagnier. The young actress is one of France's biggest stars, and with good reason: she's worked with the country's most prominent directors, including Christophe Honoré, Claude Miller, and Yvan Attal, and she's done multiple films with François Ozon. Turning in a great performance for legendary director Chabrol here certainly won't hurt her standing at home or abroad. [More]
Starring: Ludivine Sagnier, Benoit Magimel, François Berléand, Valeria Cavalli
Starring: Ludivine Sagnier, Benoit Magimel, François Berléand, Valeria Cavalli, Mathilda May
Director: Claude Chabrol
Director: Claude Chabrol
Screenwriter: Cécile Maistre, Claude Chabrol
Producer: Patrick Godeau
Composer: Matthieu Chabrol
Studio: IFC Films
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Reviews for A Girl Cut in Two
A Girl Cut in Two is Hitchcock sans the whodunit, essentially a long preamble of seduction and spiritual ruin, capped by a crime everyone saw coming (and an eye-dazzling coda that twists the title from metaphor to … something else).
It's billed as a 'Hitchcockian thriller,' but frankly I see nothing either Hitchcockian nor thrilling this same-old Gallic tale...
A Girl Cut in Two" is fatally self-serious and plodding, a rare misfire from a filmmaker as usually reliable about this stuff as Chabrol.
Chabrol does his best work in the thriller genre, but he seems colder and frankly humorless when he works with real-life stories [as he does here].
There are some good performances. And it's definitely nothing like what we've come to expect from Claude Chabrol, a filmmaker who's been called the French Alfred Hitchcock.
Chabrol keeps such rigid formal control of the material that it feels more momentous than such a tawdry tale has any right to.
It's cynical business as usual for Claude Chabrol, who offers plentiful style and psychological finesse, if few surprises, in his latest jaundiced and sophisticated entertainment.
While not a classic, this is a pleasantly disturbing, nominally voyeuristic romp in the territory Chabrol knows best.
In the end, we care little about any of the primary characters or what happens to them.
The result is a film too cold for melodrama and too restrained for tragedy.
Spectacularly assured, A Girl Cut in Two keeps you off-balance as it establishes a world where every conversation is a flirtation, and trouble and heartbreak sneak in on little cat feet when no one’s looking.
While the movie's main concern -- skewering bourgeois hypocrisy -- is not particularly fresh or innovative, Chabrol's craft is so precise, his way with actors and the camera so sure-handed, even this ordinary story is often immensely enjoyable.
At age 78, director Claude Chabrol is more than capable of giving us a completely realized world.
While not one of the director's best works, it's a classy, sophisticated entertainment with a typically rich subtext.
More than a century later, this is still a juicy story, and the actors don't back away from its more hysterical flourishes.
...The film's pleasures come from the wit with which Chabrol assembles it as each scene glides sedately into the next one.
Under the cool tone is a devastating portrait of an unapologetically sexual woman treated more as an object than a person.
Latest News for A Girl Cut in Two
August 10, 2008:
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