The Girl with a Pearl Earring ends with a whimper, never having figured out how to let its hair down.
Girl with a Pearl Earring (2003)
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Reviews Counted:170
Fresh:122
Rotten:48
Average Rating:6.8/10
Consensus: Visually arresting, but the story could be told with a bit more energy.
Theatrical Release:Dec 12, 2003 Limited
Box Office: $11,505,906
Synopsis: Delft, Holland, 1665. After her father, a tile painter, is blinded in a kiln explosion, seventeen-year-old Griet must work to support her family. She becomes a maid in the house of Johannes... Delft, Holland, 1665. After her father, a tile painter, is blinded in a kiln explosion, seventeen-year-old Griet must work to support her family. She becomes a maid in the house of Johannes Vermeer and gradually attracts the master painter's attention. Though worlds apart in upbringing, education and social standing, Vermeer recognizes Griet's intuitive understanding of color and light and slowly draws her into the mysterious world of his paintings. Vermeer is a perfectionist, often taking months to finish a painting. His shrewd mother-in-law, Maria Thins, struggles to maintain the family's lavish lifestyle on the income from his painstakingly meager output. Seeing that Griet inspires Vermeer, she takes the dangerous decision to allow their clandestine relationship to develop. Plunged into a chaotic Catholic household run by Vermeer's volatile wife Catharina, surrounded by an ever-increasing brood of children, Griet is increasingly at risk of exposure or worse. Twelve-year-old Cornelia, a mischievous girl who sees more than she should, quickly grows jealous and suspicious of Griet and is determined to cause trouble. Alone and unprotected, Griet also contends with the attentions of Pieter, a local butcher boy, and Vermeer's patron, the wealthy and lascivious Master van Ruijven, who is frustrated that his money does not buy him control over the artist. While Griet falls increasingly under Vermeer's spell, she cannot be sure of his feelings for her. The Machiavellian van Ruijven, sensing the intimacy between master and maid, gleefully contrives a commission for Vermeer to paint Griet alone. The result will be one of the greatest paintings ever created, but at what cost? [More]
Starring: Scarlett Johansson, Colin Firth, Tom Wilkinson, Cillian Murphy
Starring: Scarlett Johansson, Colin Firth, Tom Wilkinson, Cillian Murphy, Essie Davis, Judy Parfitt, Alakina Mann
Director: Peter Webber
Director: Peter Webber
Screenwriter: Olivia Hetreed
Producer: Andrew Paterson, Anand Tucker
Composer: Alexandre Desplat
Studio: Lions Gate Films
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Reviews for Girl with a Pearl Earring
No artist biopic has succeeded as completely in capturing the magical, inexplicable artistic moment. [A commentary including an interview with director Peter Webber]
Like Vermeer's paintings, Girl is a diminutive masterwork, deftly reflecting the master's mysterious art.
The look of the film and its heartbreakingly appealing performance by Scarlett Johansson make it worth seeing.
... a movie about a kind of understanding that rarely passes between human beings; a solemn, sacred meeting of minds.
It's a striking experience of light, color and composition. But it's also somewhat stifling.
As a former editor, we might expect Webber to have a better sense of when to cut, but his instincts fail him completely here.
This film doesn't just appeal to budding Vermeers but anyone who likes serious, intelligent drama and gentle erotic tension.
Girl With a Pearl Earring is simply stunning…Vermeer himself would be proud of the hues and shades Scarlett Johansson brings to this fictional account of his infamous work.
Dancing on the edge of dullness, Girl is continually saved by the look of things.
Although it's an elegantly lit and beautifully composed literary conceit, the hushed tones of the picture are the kind usually reserved for lighting incense sticks instead.
It’s the shots, not the dialogue or even the fine acting, that will stay with you after you leave the theater.
Johansson ... tops all her previous work with a performance that's almost wordless but intensely expressive.
I can think of many ways the film could have gone wrong, but it goes right, because it doesn't cook up melodrama and romantic intrigue but tells a story that's content with its simplicity.
It partakes of Vermeer's spirit and style, and that makes it one of the year's best movies.
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