Every year or so a movie gets released that is cherished more for its look than its actual content.
Girl with a Pearl Earring (2003)
Tomatometer
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Reviews Counted:170
Fresh:122
Rotten:48
Average Rating:6.8/10
Consensus: Visually arresting, but the story could be told with a bit more energy.
Theatrical Release:Dec 12, 2003 Limited
Box Office: $11,505,906
Synopsis: Delft, Holland, 1665. After her father, a tile painter, is blinded in a kiln explosion, seventeen-year-old Griet must work to support her family. She becomes a maid in the house of Johannes... Delft, Holland, 1665. After her father, a tile painter, is blinded in a kiln explosion, seventeen-year-old Griet must work to support her family. She becomes a maid in the house of Johannes Vermeer and gradually attracts the master painter's attention. Though worlds apart in upbringing, education and social standing, Vermeer recognizes Griet's intuitive understanding of color and light and slowly draws her into the mysterious world of his paintings. Vermeer is a perfectionist, often taking months to finish a painting. His shrewd mother-in-law, Maria Thins, struggles to maintain the family's lavish lifestyle on the income from his painstakingly meager output. Seeing that Griet inspires Vermeer, she takes the dangerous decision to allow their clandestine relationship to develop. Plunged into a chaotic Catholic household run by Vermeer's volatile wife Catharina, surrounded by an ever-increasing brood of children, Griet is increasingly at risk of exposure or worse. Twelve-year-old Cornelia, a mischievous girl who sees more than she should, quickly grows jealous and suspicious of Griet and is determined to cause trouble. Alone and unprotected, Griet also contends with the attentions of Pieter, a local butcher boy, and Vermeer's patron, the wealthy and lascivious Master van Ruijven, who is frustrated that his money does not buy him control over the artist. While Griet falls increasingly under Vermeer's spell, she cannot be sure of his feelings for her. The Machiavellian van Ruijven, sensing the intimacy between master and maid, gleefully contrives a commission for Vermeer to paint Griet alone. The result will be one of the greatest paintings ever created, but at what cost? [More]
Starring: Scarlett Johansson, Colin Firth, Tom Wilkinson, Cillian Murphy
Starring: Scarlett Johansson, Colin Firth, Tom Wilkinson, Cillian Murphy, Essie Davis, Judy Parfitt, Alakina Mann
Director: Peter Webber
Director: Peter Webber
Screenwriter: Olivia Hetreed
Producer: Andrew Paterson, Anand Tucker
Composer: Alexandre Desplat
Studio: Lions Gate Films
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Reviews for Girl with a Pearl Earring
The novel is trimmed down to almost a vignette telling the story of the model for Vermeer's most famous painting. This is art director Christina Schaffer's film.
Webber’s film drips with art, but it doesn't exactly inspire deeply felt emotion.
You don’t have to know much about the artist Johannes Vermeer to be enchanted by “The Girl With the Pearl Earring.”
La cinematografía de Eduardo Serra logra que la luz sea un personaje más, uno de importancia más allá de la historia.
'Sobrio y fino trabajo fílmico que demuestra un prometedor inicio de carrera de un joven cineasta que puede ofrecer cosas interesantes a futuro. Verdaderamente recomendable'
An oblique and softly realized film that sneaks up on you with bleak inevitability and luminous awakenings.
visually striking but stultifying... there's less predatory hide-and-seek in 'Dracula' than there is here, and at least the vampires eventually put the bite on their victims.
A worthy attempt, but the sum of Pearl Earring is less than its individual parts would suggest it could -- and should -- have been.
Dazzles the eye while dulling the senses. It is as gorgeous as a painting, and almost as motionless.
Similar to Shakespeare In Love in the manner in which it combines period fact with pure speculation.
The aesthetic audacity only exposes the banality of what’s going on underneath.
The film's scenarios may be unsurprising, but Webber's solemn evocation of art in a grey world gives his story an apt, unspoken gravity.
Por baixo de sua superfície aparentemente plácida, aqueles personagens vivem uma paixão absurdamente intensa. Como o próprio quadro que dá título ao filme.
Like Vermeer's paintings, Girl is a diminutive masterwork, deftly reflecting the master's mysterious art.
Cinematographer Eduardo Serra somehow manages to capture the appearance of the wonderful Delft light seen in Vermeer's paintings...
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