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Girlfight (2000)
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Reviews Counted:91
Fresh:80
Rotten:11
Average Rating:7.3/10
Consensus: Michelle Rodriguez gives a compelling performance, despite lack of a boxing background; Karyn Kusama packs a punch with this directorial debut.
Synopsis: In GIRLFIGHT, Diana Guzman (Michelle Rodriguez) is a tough high school girl with a violent streak. Between problems at school, a father who belittles her, and a lonely social life, she searches for... In GIRLFIGHT, Diana Guzman (Michelle Rodriguez) is a tough high school girl with a violent streak. Between problems at school, a father who belittles her, and a lonely social life, she searches for some way to find respect, love, and challenge. Diana finds all those things in the boxing ring at a gritty Brooklyn gym, where she begins training against her father's will and eventually earns the gym's championship for female boxers. Rodriguez's performance is what carries the film, as she makes the character of Diana Guzman real in every sense. Guzman is an awkward teenage girl whose only advantage is that she's angry. As she channels this anger into determination, she doesn't become a flawless heroine--when she gets punched in the face, it hurts--but the way she grows internally is visible, and that is the truly beautiful thing about this film. Director Karyn Kusama should also be commended for the film's subtle communication of difficult family issues and its objectivity in telling this slightly feminist tale. The inspiring soundtrack features a terrific title song by Theodore Shapiro as well as hits by artists such as Queen Latifah. A story of willpower, strength, and endurance, GIRLFIGHT wins on all fronts. [More]
Starring: Michelle Rodriguez, Jamie Tirelli, Paul Calderon, Santiago Douglas
Starring: Michelle Rodriguez, Jamie Tirelli, Paul Calderon, Santiago Douglas
Director: Karyn Kusama
Director: Karyn Kusama
Producer: Sarah Green, Maggie Renzi, Martha Griffin
Composer: Theodore Shapiro
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Reviews for Girlfight
Relies on the performance of Rodriguez to carry it, and the inexperienced actress mistakes a constant glower for depth.
It's a one-note concept -- a girl rather than boy as young boxer -- that sadly never bothers to examine much beyond its premise.
Diana's victories in Girlfight ultimately ring hollow, and it's artificial and nauseating to watch Adrian transform from a hopeful contender to a limp dishrag.
Another mediocre Sundance winner that, thanks to an inordinate amount of hype and publicity, now seems far too big for its britches.
[Rodriguez'] performance is an amateur triumph, but the same can't really be said for the film, which doesn't know what to do with Diana's unruliness except to channel it into a feminist fable of empowerment.
Despite the promise of Kusama's debut and the voguish nature of its politics, Girlfight ultimately plays like a hedged bet, rather than the knockout punch it has been taken to be.
The script is pure Rocky but the style is Girlz n' the Hood, and the two don't ever mesh.
The script is significantly underdeveloped and the director sets a lethargic pace.
Kusama does a knockout job of following the emotional and physical development of Rodriguez.
[Rodriguez] looks a little like Marlon Brando in his smoldering prime, and she has some of his slow, intense physicality. She doesn't so much transcend gender as redefine it.
For once, the advance buzz has been amply justified, thanks to an extraordinarily charismatic film debut by a non-professional named Michelle Rodriguez.
There's just enough genuine grit and spirit in Girlfight to keep it from being knocked to the canvas by indie earnestness.
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|---|---|
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| 66% 66% | Public Enemies |
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