A movie in which two not very absorbing characters are engaged in a romance you can't wait to see end.
God Is Great, I'm Not (2002)
Tomatometer
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Reviews Counted:25
Fresh:6
Rotten:19
Average Rating:4.5/10
Consensus: Silly and superficial, with annoying characters.
Theatrical Release:Nov 8, 2002 Limited
Synopsis: Michèle (AMELIE's adorable Audrey Tautou) is a 20-year-old tornado. With a bouncing, perfectly round Afro and a job posing for fashion photography, she boldly describes herself as a "top model,"... Michèle (AMELIE's adorable Audrey Tautou) is a 20-year-old tornado. With a bouncing, perfectly round Afro and a job posing for fashion photography, she boldly describes herself as a "top model," though her miniature physical size and girlish grin reveals her subdued, searching interior. Overloaded with passion and personality, she seeks a way to channel her spirituality into an identity. Buddhism works. So does Judaism, when she falls for François (Edouard Baer), a Jewish veterinarian. Her insistence that François prove his religious faith to her by observing Shabbat and obeying other rules causes him a lot of grief. But he adoringly complies. GOD IS GREAT, I'M NOT follows Michèle over a three-year period via the impulsive and always poetic exclamations she writes in her diary. The film shows how her aggressive attitude towards her family, François and all those she holds dear sometimes alienates her. She demands a lot of other people--mainly, that they live life with all the zest with which she has chosen to live her own, and sometimes those demands backfire on her. In total, GOD IS GREAT is an intense and beautiful film fueled by a powerful performance by Tautou, who rules the screen, and an inspired script from director Pascale Bailly. [More]
Starring: Audrey Tautou, Edouard Baer, Julie Depardieu, Catherine Jacob
Starring: Audrey Tautou, Edouard Baer, Julie Depardieu, Catherine Jacob, Philippe Laudenbach, Mathieu Demy, Atmen Kelif
Director: Pascale Bailly
Director: Pascale Bailly
Screenwriter: Pascale Bailly, Alain Tasma
Producer: Georges Benayoun, Alain Sarde
Studio: Empire Pictures
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Reviews for God Is Great, I'm Not
Pascale Bailly's rom-com provides Amélie's Audrey Tautou with another fabuleux destin -- i.e., a banal spiritual quest.
The plot grows thin soon, and you find yourself praying for a quick resolution.
There's much to criticize about this somewhat farcical romantic comedy, but the talent, beauty and pixieish whimsy of Audrey Tautou isn't one of them.
A light-hearted French film about the spiritual quest of a fashion model seeking peace of mind while in a love affair with a veterinarian who is a non-practicing Jew.
The film is a confusing melange of tones and styles, one moment a romantic trifle and the next a turgid drama.
You could watch a heroine barrel into a messy romance all day, provided that she's a lot less dopey than this, but few of Michele's foibles make us sympathize with her.
I was trying to decide what annoyed me most about God is Great... I'm Not, and then I realized that I just didn't care.
Bailly intends to dissect the fragile psyche of a free spirited non-Jewish fashion model,but for me, the important subject of the film is Francois, a quasi-handsome Jewish veterinarian living in Paris, who has a latent but ongoing identity crisis.
displays the potential for a better movie than what Bailly manages to deliver
Michele is a such a brainless flibbertigibbet that it's hard to take her spiritual quest at all seriously.
It's barely got enough material for a 24-minute episode of Friends, let alone enough juice to solve the mysteries of the universe.
I am convinced [Tautou] can do anything, and I recommend the movie almost solely because of her.
We never truly come to care about the main characters and whether or not they'll wind up together, and Michele's spiritual quest is neither amusing nor dramatic enough to sustain interest.
With youthful high spirits, Tautou remains captivating throughout Michele's religious and romantic quests, and she is backed by a likable cast.
How much you are moved by the emotional tumult of [François and Michèle's] relationship depends a lot on how interesting and likable you find them.
Audrey Tatou has a knack for picking roles that magnify her outrageous charm, and in this literate French comedy, she's as morning-glory exuberant as she was in Amélie.
An incredibly irritating comedy about thoroughly vacuous people...manages to embody the worst excesses of nouvelle vague without any of its sense of fun or energy.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
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| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
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| 47% 47% | The Girl From Monaco |
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